Around the clock, Brooklyn-native HDBeenDope keeps a “Bands 2” mood and squares all his dollars because they’re past due.
The visual for his newest freestyle, “Bands 2,” see HDBeenDope in different takes, which he co-directed. After the smoke clears, HDBeenDope goes off with reasoning about his decision to stay ten toes down and invest.
Throughout the music video, HDBeenDope aims for the head in a spacious room, red-tinted rooms that bring out his shadow, and blue-tinted rooms with drapes.
The artist also takes a jab at his enigmatic demeanor by shooting one scene with a kaleidoscope-inspired lens. Needless to say, “Bands 2” might make you dig deep into your pockets and wonder if you’re spending wisely.
HDBeenDope is, by far, the most outspoken rapper of this generation.
Behind tying his signature “yah” before the rhymes commence, lyrical ferocity, punchlines, and clever hooks with 10-on-10 energy, the young rapper reflects on what he’s seen and heard throughout the years.
Themes also consist of overcoming obstacles, telling haters off, getting to the bag, optimism, and moving ahead. Listeners will also come to know that they share some common ground with the creative multi-hyphenate.
If you’re curious, listen to his song “20K,” which has received 100K streams in one month. On “20K.” he juggles the thought of being broke and rising to the top.
HDBeenDope’s career jumped exponentially after dropping his latest project, Pheace Be The Journey. In 2017, HDBeenDope joined Portugal.The Man for his “North America” tour.
Aside from rapping, HDBeenDope writes, produces, records, mixes, and masters all of his music. He also directs, produces and edits all of his music videos.
Notable mentions include “Byrd” (2M views), “Rev Run” (350K views), and “Cayman” (68K views). On streaming services, HDBeenDope has compiled over a million streams.
Referencing back to “Bands 2,” HDBeenDope explores the mentality of young ballers with terrible spending habits.
For instance, HDBeenDope raps through one verse, ”A lot of you copping designer and flexing it cost you an arm and thigh/Save all your dollars/You are not drippin my brother your plumbing is fine.”
Instead of blowing money fast, he raises his level of broke by laying the groundwork. Sonically, “Bands 2” takes influence from drill music.
The sound palette is backed up by a booming 808 and a repetitive, eerie bell recording. Likewise, the versatile rapper uses a commanding and unstoppable delivery to show that he means business. The energy remains at an all-time high from start to end.
Generally speaking, HDBeenDope stays lowkey, focusing on what’s at hand. Others, however, boast excessively and lose their money in one sitting.
These individuals go so far as to doubt his prominence, only basing it off of his drip. But that presumption doesn’t last long.
For “Bands 2” the whole theme of HDBeenDope’s project stems from the idea of living in-between the duality of starting to feel like you’ve made it, while still being broke.
Still, he’s shutting down concerts across the globe.
Sonindigo is a Brooklyn artist whose music styling takes a melancholic approach to contemporary R&B, pop, metal, and rap.
Although his lyrics display emotional vulnerability, Sonindigo brings on the sunshine with strong-willed affirmations.
The versatile musician emphasizes that he doesn’t need anyone, displaying his no-nonsense attitude through melodic sweeps, auto-croon, and relentless rhymes.
His songs often explore the pros and cons of love but are slathered with independence. Ultimately, Sonindigo’s music plucks at heartstrings,” I tend to hit the emotions of the human soul and create concepts within all my music,” he said.
“I don’t like to make music that doesn’t have a meaning.”
Production-wise, Sonindigo blends spacey backdrops with booming 808s. All of his songs sound entirely different from the last. One moment he’ll be signing and harmonizing. Then the next, he’ll be raging or spitting rhymes.
Sonindigo added, “Some people tune in, and others can’t because they’re not able to reach that type of frequency. Music is a way to numb my depression and helps me to overcome my anxiety. I love sharing a piece of my energy with the world.”
Sonindigo’s moniker derives from him binge-watching a lot of Japanese anime. In Japanese, “son” translates to boy or son. And “indigo” is the color of the aura he feels that he gives off.
Sonindigo also means ‘indigo child,’ a new age concept, which is believed to possess special, unusual, and supernatural traits or abilities.
The artist prepares for his songs by feeling out the beat, “If I’m not moving in the first 15 seconds, it’s a lost cause.” He continued, “if I like it, I’ll go into the booth and freestyle melodies until I find the best one and punch in every bar or so. It’s like making a puzzle.”
Sonindigo also adds that his voice serves as a strength in music, “If I want you to be sad, you’ll hear the sadness in my voice. And if I want you to turn up, you’ll hear the joy.”
Speaking of which, Sonindigo says his favorite song to record was “Ride or Die.” At the time, Sonindigo was in his feelings, so he felt his soul blend with the song.
Out of all the elements in “Ride Or Die,” Sonindigo enjoyed making the hook because he was able to switch between “if I drive off this bridge, is it suicide?” and “if I drive off this bridge, is it homicide?”
When you listen to the song, you understand that being in a relationship can come with issues and problems. The end is never what you think it’s going to be. When you listen to his music, you can be anywhere. Sonindigo resonates with everyone.
Moving forward, Sonindigo will be going to Los Angeles to finish a collaborative project with DAYYTONA FOX. He hopes to find inspiration by the trip and enjoy the scenery.
Sonindigo’s “Neglect” is considerably a love song. In this song, Sonindigo uses auto-croon over a steady bassline, xylophone, and piano riffs.
https://www.youtube.com/watch?v=kGaO8EugddI
Likewise, the artist expresses himself over a spacey, playful backdrop. Throughout the track, his range sours over the beat and finds him in a confusing state of mind. “Neglect,” however, can be taken as a love song as well.
He says in a non-stop cadence, “and you lied straight to my face and I won’t forget/Said that you love the way you fade away. Then you feel away, you go away/Please don’t come back today cause I won’t forget.”
Amid “Neglect,” Sonindigo puts pain into his words so they are felt more than heard. He makes sure that his lyrics tell others that as much as you can love someone, you can hate them too.
“Ride Or Die” uses spacey arrangements, a thumping 808, and xylophone progression. His lyrics display honesty to the tee and question one’s loyalty towards him.
One line that stands out, in particular, is “break my heart, it’s okay I don’t have a soul.” But aside from this, “Ride Or Die” possesses a catchy hook and often refers to love. Closing off is a faded violin chord.
As mentioned earlier, the chorus switches up between “if I drive off this bridge, is it suicide?” and “if I drive off this bridge, is it homicide?”
Then, “Can You Rap Like Me?” sees Sonindigo testing his rhyming skills. According to the comment section, he snapped. One comment even goes to say #BringIndigoBack.
Reeling in at 1 minute, “Can You Rap Like Me” speaks on how his life has improved for the better. Through a steady flow, Sonindigo calls one’s bluff and swerves clout chasers. One notable line from “Can You Rap Like Me?” says “All the shit I been through can put me on, David Letterman.”
Like “Can You Rap Like Me?” Sonindigo’s “#XXXTribute” sheds light on Sonindigo’s rapping style. He uses XXXTentacion’s “infinity 888” for the beat selection and calls out the bluff of those who swear their competition.
Likewise, Sonindigo adds the spook by saying he’s about that action and doesn’t flap at the lip. He endorses all the smoke, and even says “You better watch your mouth before I clean it with soap.”
https://soundcloud.com/indigoxmusic/xxxtribute-3
As the track moves forward, you’ll see Sonindigo testing the delivery of XXXTentacion’s. One moment his flow is steady but after a while, he opts for a fast-paced flow that’s hard to keep up with. By the end of “#XXXTribute,” listeners can hear a short monologue.
Last but not least, “SSB222” sees Sonindigo on his worst behavior. Over a booming 808 and subtle hi-hats, Sonindigo displays a care-free state of mind.
Ultimately Sonindigo goes in with each bar, showing others that he’s far from a sucker. One line that stands out from the rest says, “See an op, I don’t duck.” Given this point, “SSB222” proves that Sonindigo is unafraid of anything or anyone.
Hefna380 is considered an artist who can waver between hip-hop and indie R&B technicalities. At just 19-years-old, he has modeled, been a social media influencer, and distinguished himself in the music industry.
Truth be told, Hefna380’s sound embodies the aggressive yet whimsical rhyme structure like an emcee and a soft, dreamy note range like a true crooner.
Likewise, the NJ native draws from spacey beats in means of saying he’s a future, top-charted artist. “My theme is singing on a rap beat,” Hefna380 said.
“I want to make myself more unique than others in music. My style is not just rap but like an indie melodic trap.”
When tuning in, you can pretty much be anywhere. Just be wary, some songs can leave one confrontational. Hefna380 adds, “I feel as though I am able to connect to most beats if I change my flow and style.”
The name Hefna380 is a crossover between creative energy that surrounds his four walls and natural flattery.
“My childhood nickname was Hefna because I was considered a pretty boy and made all the girls smile. 380, on the other hand, came from being creative in my room,” he said.
“It’s a weapon and it’s powerful. I want to be considered a powerful artist.”
Hefna began making music in late June or July of this year. His interest for music peaked once he started recording at friend’s houses and numerous studios. During this time, Hefna had a huge influence within the social media world and to top it off he was on camera, strutting his stuff.
Fast forward and Hefna decided to post snippets of his early recorded music on a computer file. Eventually, Hefna garnered traction on Snapchat and it motivated him to keep going and his first song, “I Gotta Go!” dropped in Sept of last year.
Referencing to “I Gotta Go!” Hefna says the creative process was amazing. His main focus was coming out with a bang. It took many retakes and studios visits to get the song right. The first week “I Gotta Go” released, it ranked in at 5,000 streams.
A month later, those streams sky-rocketed to 60,000.
Music seems to have an influence on him because it can uplift one’s spirit. For him, it’s a necessity. Furthermore, Hefna is moved by Michael Jackson. The King of Pop was someone he’d listen to often growing up.
When it comes to the rapper’s favorite line off of his recent songs, Hefna raps “We pour champagne now, all the demons taking up my brain now, I think I’m alright I’ll be okay now, I told my little shawty see you later.”
Surprisingly, his favorite place to perform at had an energy that correlates with his E.P’s name —We Can Finally Rage. It was a memorable show hosted by Newport and Friends in Philadelphia, Pennsylvania.
Hefna adds that all of his friends appeared and they raged. Speaking of which, Hefna380’s first-ever mixtape We Finally Can Rage goes in-depth about success and the troubles that come with it.
Case in point, Hefna380 knows a thing or two so he can take care of these issues real quick. Even so, he’s always covered because he has his ride-or-dies. Production-wise, Hefna380 lets a bellowing bass and spacey beats join forces.
In well-structured rhymes, the “Real Rockstar” shows that he has a heart that can be snatched off sleeves quick! The first track, “Livin’ A Dream” Hefna380 uses auto-croon to speak on the “fugazies” he encounters and having a positive outlook.
Aside from this, the rapper also says in a line “Lately I’ve been feeling like a NASCAR” which oddly correlates with the beat.
It’s safe to say that “Livin’ A Dream” is inspired by auto racing because of the ‘zoom’ sound effect. Likewise, “Livin A Dream” couples electro synths with a striking baseline.
Technicality wise, Hefna380 carries a lethargic cadence that crossovers between triple and singsong flows. Hefna380’s optimistic mentality speaks volumes when he starts the song off with this excerpt, “Run inside the Stu, forgot my wallet/ Losin ain’t a reason to get violent.”
Once “Livin In A Dream” hits the 50-second mark, he begins questioning who’s a friend or foe. Regardless, Hefna380 knows his mother will have his back. Even if Hefna380 has to put someone in a body bag, she will pass him his katana.
Case in point, Hefna380 just doesn’t want to be bothered. He’d rather occupy himself with recording or writing music.
“Save Me” blends spacey synths with a thumping 808. This track, in particular, is an ode to the schemers. While he may commend the effort, it’s just a facade.
If there’s one thing he’s learned it’s to never lose your cool. And so, Hefna380 allows them to continue while he plans vengeance. Hefna mentions in part of the song, “wonder why these bitches wanna fuck with me/I hope they know they can’t take anything from me.”
Realistically speaking, this isn’t Hefna’s first time going through this. Hefna380 also repeats what he said in “Livin In A Dream” except this time a drum is his weapon of choice and not a katana.
If all fails, Hefna380 will make sure that his brothers serve as the backup. At the end of “Save Me” Hefna380 finds an angel from above and gently breaks it off with those who plan on dating him. Hefna380 is smart to not fall for their mind-games because he knows deep down that they’ll only be in it for the money.
Then there’s “Next Up (Outro)” which is solely a flex track. Over a somber-ish backdrop, speaker-knocking base, rapid hi-hats, and an intergalactic synth-wave, Hefna380 goes to say that “it don’t matter unless my buckets are full of gold.”
Amid jealousy, spiteful spirits, and shutdowns, Hefna380 comes out stronger. Granted that these factors didn’t kill his dream, Hefna380 has basked in success and envisions a thriving career.
As an independent artist, he’ll gain more recognition and opportunities to top the charts! One notable line from “Next Up (Outro) says “We don’t need no label, might as well do it independent.”
Another line, however, shows Hefna’s niche with symbolism, “Curtains, they come with all the drapes/ Curtains and shadows on my babe.” On the whole, this song proves that anyone can pursue their dreams if they continue to work hard for it.
If you haven’t already, stream We Can Finally Rage. Make sure to keep an ear above water so you can hear more of Hefna380’s solid releases.
You can rest assure that Long Island-based artist Maui ARN is making his own waves, preferably jumping into ear-streams worldwide. Given his authenticity and the borough he’s surrounded by, Maui Arn makes sure to deliver this key element into his sound.
Without delay, the artist can tap into his melodic flow to smooth-cruise over an R&B-inspired beat or bounce vigorously over heavy-hitting hip-hop ones. However, every technicality is depicted by his headspace, beat deliverance, and energy.
Adding on, ARN says “I like to create fun music. Whether I’m rapping, singing or exploring world sounds like Afrobeat, it’s a vibe for everyone.”
Though ARN has bounced from coast-to-coast and picked up foreign threads and whips along the way, he makes sure to familiarize himself with how he feels, and this often transfers into his lyrics. Thus making music his sole outlet.
Between the lines, ARN speaks about love, Kodak moments, flex-worthy instances, his strong character, ignorance and being an individual who loves hard. ARN also remains true to himself all the while telling others to do the same,
“I want to inspire people to fulfill their potential, and pursue the things that make them happy.”
No matter the occasion, ARN’s music is always a vibe. It’s the kind that makes you feel good about any topic at hand.
ARN’s music journey began back when MP3s and PSPs launched. Roughly, he was 8-years-old. During that time, his family would travel overseas almost every summer and winter.
While ARN was on these trips he’d constantly get into trouble for having his headphones in, staying up all night or playing music from those countries or the same track over and over again.
Then high school came, and ARN found himself recording tracks.
“ARN” is short for Aaron. According to the musician, he used to be heavy set and ended up losing weight. His siblings often told him that he looked more like an Aaron. And so, he ran with it.
When creating music, ARN locks in. He added,
“Most of the time I’m writing music in complete solitude. I have a strong work ethic, so I’m constantly hitting the studio to record vocals of everything I jot down.”
Music essentially serves as his therapy and he commends how raw his music is. Regardless of what he’s speaking about or the song’s beat, ARN’s sound can fit any setting.
For the most part, ARN is influenced by the music and culture of hip-hop. He admires the innovation of artists like Young Thug, Drake, Kendrick Lamar, Future, Johnny Cinco and Travis Scott.
Case in point, ARN would collaborate with A Boogie With The Hoodie, if given the chance. To date, ARN enjoyed performing at SXSW solely because he was in a mansion party and he had the place going crazy.
To summarize, the vibes made him want to keep doing music. However, this isn’t ARN’s only exhilarating time on stage. He’s also opened concerts for national rap artists such as Young M.A, Trae The Truth, and PNB Rock.
Further explaining his artistry, ARN’s “Dom Perignon (Golden State)” uses a xylophone riff to lead its playful backdrop. Over a thriving 808, ARN uses a melodic, bouncy flow to speak about how he’s only going up from here.
ARN even says in the chorus,“got bands stacking up to my knees, so I’m really thinking how much do you mean to me? My energies out of your reach.” If we’re being honest he’s all about more commas and fewer friends.
Additionally, ARN reflects briefly on a time when finances weren’t adding up. Given that the love for money is the root of all evil, ARN drops a gem for everyone, “Now the lick will get you split.”
Some will switch up on you all because they want a dollar for their dream. As the track moves forward, ARN speaks about keeping his eye on the prize. Since he’s an individual who does things with great love, the artist makes sure that his loved ones are also taken care of.
This line says, “She said Maui don’t treat me like I’m a thot/I just do this for you cause you mean a lot.” Another notable line from “Dom Perignon (Golden State)”is “before checks, I was feeling the Nike box,” which essentially shows that ARN makes rational investments.
Moreso, he’s wiser and focused than ever. Towards the end, “Dom Perignon (Golden State)” dies down and the xylophone, effortlessly, gets stuck into the cerebral cortex. To create the song all he had to do was relive unforgettable nights and experiences.
Behind the flashing lights, ARN makes a smooth, melodic delivery in “Feelings Attached” to say that he’ll ride for you at all costs. After all, ARN is a firm believer in passing love forward.
Matching the energy of ARN and the faint 808’s, both ARN and Dapperdon put their all into the lyrics and chasing a bag. Off the bat, one line gives proof as to why, “with me, she transforms like Voltron” and although she envisions a future together, the artists do not.
Honestly, they’re concerned with building an empire so everyone they care for can eat. Besides this, “Feelings Attached” contains witty punchlines and a fast, bouncy flow amid speaking about how money just won’t win this queen over.
In a singsong approach, they say “you gon’ need more than racks cause mama got feelings attached.” It’s safe to say that “Feelings Attached” is, as ARN said, a true story you’ll hear or see eventually.
If the man she’s with just won’t do right, they will. Then she’ll be left with feelings of admiration and yearning. “Feelings Attached” comes heavy with a nostalgic feel and spacey synths.
His recent song, “Fashion Nova EDM Infusion (Remix)” carries a pleasant minimalistic feeling that keeps the energy soaring. Listening in, you’ll find that the minute mark closely resembles Vince Staple’s “Big Fish.”
Aside from this, “Fashion Nova EDM Infusion (Remix)” carries beautiful percussions, different flips on the soundscape, and melodic hooks that fit well with the song’s build-up. Some might also appreciate the baseline because it helps “Fashion Nova EDM Infusion (Remix)” with its tropical-like approach.
In terms of the song, Maui ARN says “When I thought of creating “Fashion Nova EDM Infusion (Remix)” I wanted to encourage ladies to rock their Fashion Nova pieces as if they were on a Fashion Nova runway. I think I accomplished that pretty well with the help of King Sin. He amped the production and gave it more of that vibe.”
I assure you by the time this song is finished you’ll have it stuck in your head for hours on end. Maui ARN’s favorite line from the song just so happens to be this: “Had a few in my day, who thought my closet was they sh*t”.
He adds, “I had so much drip leave my house, they know exactly who they are too. I ain’t mad though, cause I know what’s fly. I know how to put fits together.”
Ultimately, “Fashion Nova EDM Infusion (Remix)” is ARN expressing his love and admiration towards fashion. Maui ARN says “I believe Fashion Nova has made their mark on this generation.”
Mia Ayana is a singer with bright, loving eyes who carries a thoughtful, extensive vocal range.
Since she’s from Mississippi, her sound is rooted in the heart of the South. It’s rich, soulful, empowering, and grips onto the hearts of those who listen.
Often, however, Ayana’s crooning wavers between soft and raspy riffs but it depends on the subject at hand. Rather than being at war with a lover (or anyone for that matter), she opts for being their peace.
Besides this, Ayana carries a calm aesthetic that transfers over with every listen.
The basis of her lyrics speaks about being at one with self. Ayana said:
“I’m trying to inspire and uplift people to be comfortable being themselves. I’m not perfect by society’s standards but I am myself and that’s how everyone should live. People can’t do anything but respect that.”
Some might also add that Ayana’s music is food for the soul, “I’m aiming to bring back the vibes of Classic R&B, so my music reflects that.”
To her R&B music is in a pretty good place right now and she thinks her music style fits the climate that the genre is moving towards. Growing up in Mississippi, Ayana sang in church… on the school bus, and anywhere else she could mold her voice into what it is today.
It’s a little raspy, soft but soulful…and I feel you can hear my pain. Or happiness, or a sense of defeat through my songs. I’m trying to bring a different sound and view of where I come from through my music.” Ayana said.
Mia Ayana describes herself as a bubbly introverted lover of music whose goal is to change the world with her voice. Ultimately, Ayana is a proud product of Mississippi and thinks it makes up the bulk of who she is.
Her parents named her Mia, after her grandmother, Mary, because once upon a time Mia was a surname for Mary. Ayana is Ethiopian and means “beautiful flower.”
Her name sets the tone of the morals and values she holds close to her heart. Ayana’s dad is a black history buff who inspired her to dig deeper into figuring out her origins and so forth.
“Mia Ayana stands for my history and all who came before me and how I’m taking that history and modernizing it in a way that inspires generational wealth in my family for years to come.”
Ayana’s music journey started in church. Before, she was a shy kid who never wanted to lead any songs because she didn’t want to draw attention to herself. But she loved to sing.
And while it was apparent to others, she couldn’t break out of her shell. Growing up, Ayana’s brother made beats daily, wrote beautiful songs, both R&B and hip-hop/rap. While the noise was a lot to handle, it jump-started her writing.
Earlier on, she realized her ability to communicate feelings through words. And it just made her feel good. So her singing capabilities from church mixed with a new writing skill created a blossoming artist who is hoping to pursue her dreams full-time one day.
But Ayana didn’t delve into making music until her grandmother passed in 2015. In the weeks of her passing, Ayana’s grandmother told her that she had to do something… had to be big.
“I’m sure she didn’t know how much that would impact me. But it was a driving force to begin this path.”
In 2018, Ayana had an epiphany that forced her to make a plan, to make the vision in her head reality. Now, Ayana says that she’s just maneuvering as an underground artist and figuring out the industry.
Since then, Ayana has traveled from Mississippi to Seattle and Chicago to Las Vegas, all within a year. Ayana has performed gigs across Las Vegas since November and was a featured artist at Hot 97’s “Who’s Next?” Pre-summer Jam showcase in May.
For Hot 97’s “Who’s Next?” Pre-summer Jam showcase, Ayana was representing the ladies. Initially, Ayana was shocked, to say the least. When she was selected, Ayana had only been pursuing music for about six months with a few shows here and there.
But nothing was as extreme as performing at the S.O.B.’s.
Many of the artists she heard of before, hit that stage and their big break came, so it was a crazy moment for Ayana. It was also when she first realized that her music wasn’t just good to herself.
Other people liked it too! Needless to say, this experience helped her grow as a live performer and helped her realize where she stood as an artist. She’s using this moment to groom herself into the artist she wants to be.
Her latest project, Far from Home is a tribute to Ayana’s hometown. She comes from a place called Wren, Mississippi, a land of limited opportunity and lost stolen dreams. The project describes her journey while living and growing up there as a child, adolescent, and young adulthood.
It also speaks about being at a tug-and-war with self-pride and the trials she dealt with before leaving the only home she’s ever known.
Ayana further explained,
“Far From Home is an ode to all the dreamers in Mississippi who feel that by pursuing their dreams, they’re somehow letting themselves down. It’s a testament to everything I aspire to do for my community.”
Mia Ayana’s “Say It” allows a love interest to have the floor. As one common expression goes, actions speak loud… Rather than sweeping his feelings under the rug, she’d like for him to take initiative.
And even though Ayana can read between the lines, she wants him to start this new chapter by speaking his mind. Additionally, the songstress says that she’ll be his peace (even when he’s at war with himself.)
In the technicalities of singing, Ayana shows a range of rich, soulful riffs and listeners hang on to her every word. The beat, however, is shimmery and draws from contemporary R&B.
Listening to “Say It” you can hear how sincere Ayana is. Through a light approach in vocal play, Ayana assures that she’s nonjudgmental and will take her love interest as they are.
Starting with a magnetic harmony, “Potential” takes on a dark, somber-ish R&B beat that’s induced with light riffs and emotionally-moving lyrics.
Executed to the tee, Ayana sings with passion about a distant lover who does wrong by her. Delving into a light, bouncy, extensive note range, she says in this one line, “I try to ease the pain you’ll never change and knowing now you know too/Why would you fill me with lies?”
This only proves that she stood by them despite their uncivil ways. The reason Ayana stays, to begin with, is reasonable. She thought he’d eventually treat her how she’s treated him. But slowly she sees that it’ll never be reciprocated.
For instance, this line speaks volumes:
“You can ease my mind and take me high, but never save me.”
https://youtu.be/ZIDd2S-8TF4
All in all, “Potential” lets loose about the pain she felt with a lover who refused to air his dirty laundry. Given this, she tried to give him a clean slate but he wasn’t reluctant to be her peace. Another notable phrase tied to her introvert ways can be found within the song as well.
“In The End” upholds a somber R&B tone that’s supported by soulful riffs and 808s. Ayana’s lover has her on an emotional roller coaster yet she can’t seem to let them go. Leaning in, you can hear her sincerity and feel the pain.
Ayana stays because of this, “I tried to cling to everything we had before.” She then continues with, “no, I don’t mean to make you feel insecure but I can’t teach you what you choose to ignore.”
Before the songstress envisioned a happy ever after but now, she realizes that it doesn’t end here. As the track moves forward, Ayana admits that she feels so much better without him.
Instead of dwelling, Ayana takes it as a lesson learned and continues living life to the fullest. Being underappreciated can take a toll on anyone!
The last straw was when her lover brought their unfaithful ways to light. While she’s aware that her loves will bluff and say they’re better off without her, Ayana has to do what’s best for her (no matter how much it hurts.)
“In The End” gives women faith to bask in self-worth. It subtly says to ditch that penny and find a dime piece. One who will treat you the way you treat them.
On the other hand, “Lullaby” comes as a courtesy when being one’s peace of mind. This comes about because of the assurance this love brings.
A notable line would be when Ayana says, “I see in your eyes, no more questions/Love is alive and I’m a witness/You took the beauty inside and you caressed it.”
Since they treat her right, she wants to reciprocate this feeling. The love Ayana feels is like none other. Ultimately, Ayana is down to ride till she dies, for the road trips, and other rendezvous.
If they’re stressed, Ayana would like to be the one who takes the load off. Life can get hectic, after all. She further suggests that the two can even look at the stars.
By no means, do her lovers need to spend a fortune on her because the simple things are most pleasurable. Ayana decides to use a light, thoughtful vocal pattern to express herself.
Beat-wise, “Lullaby” uses elements from a guitar, piano and 808. The rhythm is bright, playful and lets Ayana shed some light on how she’ll be the best they’ve ever had.
It is safe to say this song is R&B inspired as well. By the three-minute mark, “Lullaby” dies down and Ayana breaks these words in a soulful manner “let me be your lullaby.”
Closing off Far From Home is well…”Far From Home.”
The beginning of this track sounds like a slowed-down version of Rayvn Lenae’s “Free Room” because of the piano’s short note progression.
Afterward, “Far From Home” lets a low-hitting 808 and snap seep in. Throughout the song, Ayana reminisces on her times at home that correlates with unforgettable moments and big dreams.
In an airy, soulful note range and riffs, Ayana also speaks about instances where she’d say “I want to make it out someday, hear the people say my name.”
Now, with all of the success, she finds herself searching for nostalgia and sometimes homesick. In simpler terms, Ayana is “Far From Home.”
But no matter how far, Ayana will always see lights shining from “The Magnolia State.” As the track moves forward, the songstress says “I can see hear the crowd, but I can’t see you now/How did I let you down?”
During her interview with Ms. Nisey Baby, Ayana says Far From Home holds significance because it was the last time she spoke to her grandmother.
So, it can be assumed that the second half of “Far From Home” is about this special woman as well.
Armani White is a West Philly-based artist who’s been taking the world by storm for quite some time now. Radiating in all-around positivity, White’s music anonymously lends a smile to those who are going through a tough time.
Since he follows the common expression “every cloud has a silver lining,” White delves into his own experiences to show others that he’ll always thank his lucky stars. Likewise, the once enlisted TIDAL’s rising artist carries a voice that is prone to move crowds.
Between tongue-twisted flows and enunciation, White maintains a high-energy and carefree spirit. In turn, he keeps listeners engaged and leaning over for more.
“As long as I’m preaching positivity in some form or [another] … producing something thought-provoking, then I could have various messages. [The songs] could portray for you to do something or for you to be something or for you to learn something or for you to take something away whenever you press play.”
In other words, White possesses a lyrical prowess that can only be defined as a God-given talent.
In 2015, Armani White got his big break in the hip-hop scene. White was just a student at Delaware State and when his eventual manager contacted him off of “Stick Up,” a song the rapper uploaded to Sound Cloud, things began looking up.
“Stick Up” did so well that it garnered traction and was featured by Pharrell and Scott Vener on OTHERtone. From there, White never looked back.
Instead of attending classes at Delaware State, he was opening for Big Sean and PARTYNEXTDOOR at his alma mater. Eventually, White was invited to open for BIG K.R.I.T. on tour. But things took a turn for the worst.
White had an on-and-off relationship with his father since childhood and hadn’t seen him in at least five months, but on March 15, 2016, he decided to visit him in hopes of making things right.
Once he drove to his father’s house to squash the beef, White noticed that his father looked different. His father had been diagnosed with prostate cancer and had started chemotherapy since the last time White had seen him.
Afterward, White sped off without his father seeing him, pushed his feelings to the side and went to perform his show at The Foundry at Fillmore in Philadelphia, as planned. Although he took a short-lived hiatus, White came back with a bang.
His new debut album’s name, Keep In Touch plays as an ode towards this phenomenal figure.
Like his previous work, Keep In Touch shows the wit he upholds. As a whole, White’s project takes the bad with the good and celebrates his ongoing growth. Granted that White isn’t afraid to admit his faults, he creates a common ground between himself and those who listen.
In terms of the sound, Keep In Touch is an amalgamation of soul, jazz, and hip-hop. Rather than carrying a melancholic tone, KeepInTouch opts for one more upbeat. By nature, White’s chipper energy is infectious and by the time Keep In Touch is over, you’ll find yourself in a great mood.
The first track “Onederful,” celebrates all that life has to offer. Since the age of time. White has overcome every hurdle thrown his way and “Onederful” highlights some of those specific moments. The song’s backstory stems from a time when White had a creative block.
And ultimately it was his niece who helped him break out of it. According to Billboard, his niece came in to have her uncle fix her toy, as five-year-olds do, then she started singing, “This my type of day, my type of day, my type of day-ay-ay!”
And just like that, the catchy hook for “Onederful” was born. He says that the song came together like a perfect accident.
Next, White spent months fine-tuning it to perfection. In an interview with REVOLT, White recalled a time when he lost access to the studio. ” We even lost access to the studio we were using in the middle of the process of making the song and had to sneak in late at night to record the choirs and drums.” He added,
“Every time I listen to it now, it revitalizes that energy of rebirth for me as an artist and a lifts my soul and smile.”
To put it further, “Onederful” is a feel-good track, full of instrumentation that triumphs at White’s triumphs. It really plays on the idea of being a ray of sunshine on a cloudy day.
Notable lyrics:
“24/7 ain’t come from a day job, But fuck it we lucky to wake up.” and “I ain’t socials on them networks! Till my social is my net worth!” shows how grateful White is.
The soundscape is draped with vigorous trumpets, which seems to be a laser progression and a booming bassline. From the very start, White has fun with his cadence. Dragging his words in a playful demeanor, White proves that life’s too short to not enjoy it.
Amid blaring trumpets, admiration from others, soulful croons, and a booming 808, “2maro” goes on to say that White did the damn thing!
Surprisingly enough, White even gets some leeway. With every break in the beat, he makes sure to spit vigorously, let the drums roll and in turn, the “Flip” rapper leaves fans tongue-twisted between syllables and his enunciation. But, it wasn’t always this way. Spending habits came with a price.
One that emptied his pockets and left him scrambling for more change. White’s bridge in “2maro” emphasizes this point, “I need a job, I need a ride, said I need patience/My priorities to need straightening a bit/Still ain’t handle my car note/Still ain’t cancel my card though.”
These lines go to say that at a certain time, White spent money on things he wanted rather than needed.
“Miss3d Calls” starts with different monologues, some could even assume that they’re historical. Then, this minute-long interlude transitions into a soulful vibe that meshes light vocal riffs with tranquil cymbals.
As “Miss3d Calls” continues, listeners can hear White’s greeting for his voicemail box and the many messages that come in after the beep. Towards the end, a tape recorder can be heard and “Miss3d Calls” transitions smoothly into the next track.
To Complex, White unveiled that “Public School” was themed with the clash of a careless spirit and it’s neglected responsibilities. And when I say this track executed his concept perfectly, I’m not bluffing. Not only does the soundscape bring out a line of bright xylophone riffs and booming bass.
But it also comes with a bouncy vibe and gets listeners in-tune with his pen game. Take, for instance, this line. It shows that White exceeds in hip-hop’s true element.
“So many things on the table I need to relax — my niggas eating though/So many shooters in that booth be booming on tracks — Not when we linking though.”
It displays a relatable side to others and the true colors of those who try to be something their not. “Public School” really plays on its title.
When you get an earful, you’ll hear White’s blunt, fun rhymes go from 0 to 100. Another notable piece of this track can be found at the 1:59 mark. Here, you’ll hear deep, soulful hums.
In “Black Oak Park,” White taps into his vocality and leaves listeners mesmerized from the very, first note. Surprisingly, White transitions from his rapping state to a soft, singing one and it’s safe to say that he’s complex by nature.
Through his mesmerizing delivery, White tells an enchanting love story based in the park between his mother and father’s home growing up. For instance, his first verse elaborates on this concept,
“The sky looks closer with you on my shoulders/What was life before they clipped your wings/Head harder than my liquor when I fell for ya/But this time love there ain’t no in-between.”
Equally important, the beat itself makes this track sound like a dreamy, R&B ballad.
“Saywhaat//Long Car Ride” is a song that White often performs onstage during intimate moments with fans. Every so often, the West Philly brings out a soulful vocalist and in turn, crowds worldwide find themselves singing along. Instead of just hearing the words, you feel them.
And somehow, you take that warm, secure feeling home.
In a word, this is, for sure, a bright, feel-good, playful love song filled with jazz-inspired instrumentation, snaps, skit-skats and oscillating flows that come in strongly.
After the listen, you’ll want to shoot your shot at the cutie nearby. “Long Car Ride” is a quarrel between two lovers, one of them is just not happy with how things are going. Then, it seeps into the next track.
“Fortnights” carries a beach vibe full of echoey crooning and an acoustic guitar progression. At 0:47, however “Fortnights” adds more into its soundscape — a bellowing bass, electric guitar roars and drums that just go off in the best way!
White reminisces on times like this, “we smoke bowls in the backyard/And I would tell you my pipe dreams.”
Regardless of what happens, White assures that he’ll ride for those who did for him way back when. Amid the fame, he’ll always stay true to himself and people.
An example can be read in “White’s chorus for “Fortnights,” “Call me when you make it in I know you good nigga/I might just pull up in a crown I’m still a hood nigga/And you ain’t even gotta say I know what’s good witcha.”
As the track moves forward, you can hear soulful riffs, a subtle violin chord breaking from the white noise and scattered pattern of piano chords.
Lastly, “Thanksgiving” shows a reflective side of White. He spills over the track in a powerful, elaborate rap delivery and allows weight to fall off of his shoulders.
Over the light piano riffs, harmonic chants and 808, White gives listeners more insight on things he’s been through. As he reminisces the stormy days, White sheds light on his gratefulness for being where he is now.
It’s chorus even says, “Look around us, look around us, son you finally got something to be proud of.” In means of showing that days might be numbered but it still counted.
Towards the end, “Thanksgiving” lets a violin cry out. Overall this track shows others that there is beauty in the struggle.
In turn, people from all over get a better understanding of who these creatives are. And they get a nod of approval from Scott as well.
On the other hand, interviews lean more towards a conversational structure than a question-based one. These interviews also come with exclusive freestyles so artists can show listeners and viewers what they’ve got.
Take for instance rapper, Cruch Calhoun’s interview. Calhoun not only brought his little one along so they could hear their pops drop some gems, but Calhoun also spoke about his album Loco, working on “Boyz N the Hood 2,” and having control over his music’s structure.
https://www.youtube.com/watch?v=TgjHEzbYG0w
Granted that the musician has the skill down-pat, Scott even let “Cruch” spit a 16 over Nipsey Hussle’s “Blue Laces.”
Notable lines like “My whole reason for bangin’ was cause I love my homies/That whole reason for slinging was for the love of money,” and “when they come barking in your yard, it’s okay to fight,” shed light on Calhoun’s upbringing and sharp mentality.
Another freestyle that holds weight in The Garden State Hip-Hop Hour’s history to date is Foe Hun’ed’s. During his spitting spree, Hun’ed opted to execute Nipsey Hussle’s “Grinding All My Life.”
Leaning in, you can hear the emcee’s slick talk, leaving no mercy for those talking out their necks. Lines like “I’m bossed up, taking pieces off the chest board/Its mo’ money, only thing a nigga stressed for,” go on to prove that he’s all work and no play.
Additionally, Foe Hun’eds interview highlighted the pros of being an independent artist, his latest project 5 Strains, which comes with the intent of coming with 5 different flavors, the Billboards and being vouched by a Californian-based record label.
At the 4:40 mark, Hun’ed also speaks about his growth as a musician:
“I feel like I learned a lot going through this situation. So with the tools and knowledge that I have now. I feel like everything could only go up from here.”
Together with freestyles and kickback sessions is an artsy scenery that gets the creative juices flowing. As one walks in, they’ll see that the door is lined up with stickers, and what seems to be, a poster.
Individuals will peep a white wall that’s filled with graffiti as well. For the video shots, Scott calls on King Jayy. As a result, Jayy makes sure to get clear angles of the whole room and close-ups of Scott and his guests.
Recently, Scott invited artist $uper Drug$ onto The Garden State Hip-Hop Hour.
The pair discussed Drug$ new album, War On Drugs, other projects he’s released, a song called Ocean Views, the big impact Nipsey Hussle played throughout his life, how his musical journey began, and the code to making it while being behind bars.
In reference to War On Drugs, the artwork was thoroughly inspirecrd by Ronald Regan and in turn, it pushed out the concept. Drug$ said,
“I really try to make my projects true to its title and the concept in my head that’s true to me.”
War On Drugs draws from the era when drugs were hot on the market. “Ocean Views” however, is a three-part series. The beginning was the first song he ever wrote once breaking free. Essentially, “Ocean Views” is where he’s trying to be.
One thing is for sure though, listeners will hear the growth. An example of this is when Drug$ goes to say that he doesn’t like giving flowers to someone when they’re dead.
If that doesn’t speak volumes, then I don’t know what does. When it comes to Hussle, Drug$ hints towards Hussle’s impact, “If you’re talking about something sensible, best believe I’m going to gravitate towards it.”
Drug$ goes so far as to say that Hussle inspired “Ocean Views” as well. Besides this, Drug$ and Scott also talk about the differences between North and South Jersey.
To elaborate, Drug$ says “Jersey has a lot of talent. Don’t get me wrong. But I feel like we should all just come together instead of scattering around.” Currently, he’s three projects deep within an 18-month span.
To date, Scott has had the artists Gino Mondana, OT9 Beno, Cashburner 5000, Cruch, Kano, Cliquot Geno, Foe Hun’ed, Kxng Prince, Killa Kherk Cobain, Naim The Artist, Mbm Franko, and Doms on the show.
He’s enjoyed all of them but Scott says Cliquot Geno’s has stood out thus far. “He talked a lot!” Scott adds “Geno has been around for a while. He also passed along his knowledge and the insides of the music business.”
Look in the mirror, and you’ll identify as a Richard Scott too. He’s really just a college student who lives and dies by music. And it just so happens that Scott loves to see others do well also.
Before The Garden State Hip-Hop Hour, Scott took part in a show called the Rich and Dave Show. With his friend, Dave’s assistance, the two conducted a show a year that covered pop culture and they took part in interviewing different creatives.
Fast forward and the two parted ways. Regardless, they’re still friends until this day. Scott started The Garden State Hip Hop Hour last October in means of pushing an artist’s dreams and giving them some exposure,
“It takes a lot to put yourself out there,” he adds.
Due to this, Scott has received good opportunities. Honestly, Scott just likes being a part of the reason why artists keep going. He likes interviewing others because it allows him to learn about the artists more.
Knowing these things helps him to get a better feel for them.
“It kind of makes you listen to their music differently…”
However, what really keeps him going is his friend, Dave. Still, there was one point when Scott wanted to throw in the towel.Since he had other things going on in summer, Scott felt like his time was restricted.
But a lot of people kept demanding for slots, so he kept at it.
Besides this, Scott is also the curator of the Garden State Hip-Hop and R&B Spotify playlist. He updates it every other week and picks out 20 of the hottest songs from upcoming New Jersey artists.
In July, Scott curated his first-ever tape, Summer in Jersey. When one tunes in they should expect songs that highlight New Jersey’s undying pride and summer functions.
As one part of the compilation references to the club, the others fall in line as beach, flex or nightclub anthems. To add, Summer In Jersey carries a three-part skit by The Infinite Nudist as well.
Essentially it’s all about a friend who is convincing another to go with him to the beach. Then, a girl whos fed up with his distant ways as they go to the shore and it closes off with a late-night “You Up?” call from a friend who tries to convince the other to leave and go to a lituation.
On Scott’s playlists, you can expect jams that range from R&B to pure gritty hip-hop. Moving forward the host plans on branching out and possibly getting an interview with hip-hop veterans, Joe Budden or Albee Al.
His advice to those who inspire to start their own radio show is to just go for it, “Don’t spend too much planning!” He added:
“Figure out as you go. You gotta be your hardest critic.”
There are four ways to tune into The Garden State Hip-Hop Hour, on the radio station, 90.3 F.M, streaming from wknj903, Instagram live, or the YouTube channel.
Make sure you tune into The Garden State Hip Hop hour.
October brings on the spook in various ways. Aside from usual haunted house visits and demonizing masks, the month fights back at breast cancer’s sneaky ways with worldly awareness.
In means of educating and pointing fingers, individuals go through lengths to show their support.Like us, here are eight advocates who’ve done the same:
After losing his mother to Stage IV Breast Cancer in 2014, the happy-go-lucky rapper pursued music and has been working around the clock since.
Down the timeline, Famous Dex signed on Atlanta Records and 300 Entertainment that same year. Going bar for bar with the likes of Rich The Kid, and Black Migo, Dex also released his first solo debut album, Dex Meets Dexter following Kid’s on Apr. 1, 2018.
In accordance, Dex Meets Dexter peaked at No. 12 on the Billboard 200 and the Top-10 on ‘The Top R&B/Hip-Hop Albums’ chart. To explain this work of art, it invites new listeners to get an earful of his sporadic energy.
Together with shifting beats, ad-libs and dreary mumble-rap Dex Meets Dexter‘s impact in the hip-hop scene raises many eyebrows. One critic even believes that Dex Meet Dexter should be cut in half because “it would’ve been a more enjoyable experience.”
Also a firm believer in Breast Cancer Awareness, Famous Dex inked two pink ribbons, the international symbol of breast cancer awareness, on the center of his forehead and under his eye.
The reason was to commemorate his mother. Last year, he opened up to DJ Smallz during an interview about how his mother’s lost to the treacherous disease impacted him. Dex said:
“My mom was always a happy person. When she was going through chemo, she told us to be strong and to be happy and when she do go, stay happy.”
This follows after Dex posted a picture of himself on Instagram after getting his forehead tattoo. The caption read “I’m Crazy So what “Momma’s Boy” 5-22 Rockstar Lifestyle 4.5.19.”
Sharaya J
Giving 115% both on and offstage, the quick-witted and creatively-free femcee known as Sharaya J was diagnosed with Stage II Breast Cancer.
Just as she was chosen to be on FOX’s show ‘The Four: Battle for Stardom,’ Sharaya revealed during an interview with ET how she had to take a couple of seconds to really think about going on the show because she knew that during the process of the show, she would be going through chemotherapy. Sharaya added:
“I’ve had a couple rounds before the show and dealing with some really tough side effects sometimes with it. I just had to pray on it.”
Regardless of her rougher days, Sharaya J didn’t let it hinder her fighting spirit whilst on the show. Instead, Sharaya took it home, in honor of her father who was a part of New Jersey rap crew Double XX Posse.
Losing her hair in the process of chemo, Sharaya went against the odds and got even with signature hats and even bolder deliveries! And in the end, came out undefeated.
Before her appearance on ‘The Four: Battle for Stardom,’ Sharaya signed to Missy Elliott’s label The Goldmind Inc in 2010. Then, she launched her own production company Banji Entertainment LLC in 2016.
Renown contemporary artist King Saladeen lost his best friend John “JP” Thompson and his aunt Lois Claybourne to cancer. Both had a huge impact on who Saladeen is today.
Making sure that people never forget the loved ones he lost, the Philly artist incorporates their memory into almost every piece of the art he creates.
Pushing the fu*k cancer mission even further, he’s auctioned off his art for cancer research efforts, donated massive portions of his proceeds from his art shows and toy drops, and works hand in hand with the Philly Fights Cancer initiative.
Matthew Knowles
Recently, Beyonce’s father and manager, Matthew Knowles opened up about his breast cancer diagnosis to Good Morning America. He’s apart of the 1% bracket of men who have gotten diagnosed.
In detail, Knowles describes his initial reaction to the show’s co-host, “Of all the things I could get, why would I get this?”
“From a man’s perspective, I’m thinking, ‘Why me?'”
Originally Knowles thought he worked out too hard after discovering blood on his white t-shirt and bedsheets. But when it persisted for days, Knowles knew something was wrong.
Following after, Knowles rushed to the doctor, got a mammogram, an ultrasound, and a needle biopsy before health officials made the official diagnosis.
According to Knowles, from that point on, it was clear that he had breast cancer. Now, Knowles is cancer-free. Eternally grateful for getting a second chance, Knowles hopes to encourage those in the same predicament. “
I want them to know that they can survive this. But it has to be early detection. And I can’t overemphasize the word early,” he said.
Currently, Knowles works on the advisory board for Tunedly, an online recording studio for songwriters. In 2020 he plans on releasing a book called Destiny’s Child: The Untold Story.
To honor Breast Cancer Awareness Month, the singer, make-up and fashion mogul Rihanna released a new Savage x Fenty lingerie collection.
Splattered in nothing but pink to represent the cause, Rihanna’s Savage x Fenty lingerie titles itself as SAVAGEXTHRIVERS to represent a collective of young women who are surviving with aggressive forms of breast cancer.
Over the course of October, customers will also get the opportunity to learn more about the young women who are modeling the collection.
In a recent video shared on the brand’s social media page, the women sat down to discuss their diagnosis. One of the models named Bianca Muniz says that she was diagnosed with breast cancer at 24-years-old.
Muniz added:
“I did not think it could happen at that age, so I decided to be really open about my story, and I started vlogging my entire journey and it created this massive community of women who can relate to each other and it helped me as much as it helped them.”
The collection features a limited-edition Savage X Thrivers Xtra VIP Box that includes the Scalloped Lace Bralette and Scalloped Lace Brazilian, ultra-soft X Rib Pants in Cotton Candy and a Dominoes accessory.
About the line, Rihanna said:
“I want to raise awareness for under-served breast cancer communities and the Savage X Thrivers represent young women of all walks of life living and thriving with cancer. The easiest way for people to get involved and make a difference is by shopping this box and collection.”
In return, all funds will go to the Clara Lionel Fund — which Rihanna founded in 2012 in honor of her grandparents Clara and Lionel Braithwaite — to help support research for different forms of breast cancer.
To list some of Rihanna’s recent accomplishments, she’s been listed as No. 36 on Forbe’s Magazine this past July. Rihanna’s “Needed Me” also peaked at No. 7 on Billboards ‘Hot 100’ in 2016 whilst “Love on The Brain” stapled itself at No. 5 in 2017.
Chance The Rapper
My Auntie Kim lost her battle with Breast Cancer early Sunday morning. She was a warrior and wanted me to share this https://t.co/tb0cqRQzMA
— Chance The Rapper (@chancetherapper) May 9, 2017
In 2017, the colorful emcee dubbed as Chance The Rapper raised awareness through his Twitter page, after announcing that his aunt passed.
The cause? Inflammatory Breast Cancer. Calling her a warrior in text, Chance put his Twitter fingers to work and added a link of a YouTube video where his aunt speaks about her experience with cancer.
In the 3-minute snippet, she recalls being diagnosed with Stage IV Cancer, following a visit to urgent care and then her doctor.
“I knew something was wrong, but I thought it was just an infection…If you ask your friends, they’re going to minimize it,” she said.
“‘Breast cancer doesn’t hurt.’ I don’t know how many times people told me that. ‘Breast cancer doesn’t itch.’ No. If your breasts swell. If the skin changes texture and it becomes to look thick like an orange. If they all of a sudden get hot. If your nipple that used to lovely poke out starts to invert…Remember the discoloration. And if they swell, by all means, go to a doctor. The goal of this cancer is to kill you.”
In another tweet, Chance gave his followers some insight on the sickness with hopes of addressing the elephant in the room. Since then, Chance The Rapper’s album Coloring Book peaked at No. 1 on Billboard’s “R&B/Hip-Hop Catalog Albums.”
Not too long ago, Chance dropped an album called The Big Day which, in turn, fell at No. 2 on Billboard. As a whole, both albums show huge growth from Chance. Coloring Book is more gospel-inspired whereas ‘The Big Day’ gives the most glory to God because he’s officially tied the knot.
Pushing the limit of the pen and pad, Nas changed the game with one story at a time. Referred to as the New York City icon, Nas threw his hometown’s motto in the mix of his verses and cadence.
Thankfully, Nas doesn’t put a stint on what he speaks on. No matter the backdrop, Nas keeps it real, shaking up opposers in the process. But a personal static-shock came to the emcee once his mother, Ann Jones, passed away from breast cancer in 2002.
Following the unfortunate matter at hand, Nas made a statement online, saying that her spirit was bigger than cancer. To further prove his appreciation towards the woman who conceived him, Nas released an album a year later called God’s Son which narrows down on life lessons and street antics all the while serving as a positive outlet for the mourning rap icon.
So, it doesn’t come as a surprise that God’s Son peaked at No. 1 on Billboard’s Hot 100. Additionally, Nas had a musical tribute in his mother’s honor on the album called “Dance.”
Recently, airy vocal artist, Jhene Aiko, and fashion phenom, Kerby Jean Raymond joined forces in the name of Breast Cancer Awareness to co-design the American Cancer Society’s new crisp white tee with light blue and black text.
This shirt comes as a tribute to Jhene Aiko’s brother who died of brain cancer five years ago. To decipher the text, ‘Chilombo’ is spelled out on the front and there are double sevens on the back.
Surprisingly enough, Chilombo is the name of Aiko’s brother and the sevens represent his birthday, July 7. Besides this, there is a red smiley face on the t-shirt as well as the phrase, “Looks like I iz going home.”
Aiko told Vogue,
“The happy face is something my brother spray painted during his treatment, and the quote is something that he tweeted during one of his hospital stays.”
Locally and nationally, they’d like to bring awareness. In 2017, Aiko started the WAYS Foundation, which helps support families affected by cancer.
All in all, it’s big fuck you to cancer. Every year the disease takes 609.640 lives per year in the US. In 2018, alone, an estimated 1,735,350 new cases of cancer were diagnosed and those are the people that went in for a check-up.
Pull up on your doctor fam. Prevention is always better than cure. Click the button below to take control of your health, and help reduce your cancer risk.
Soaky Siren can easily be compared to a warm, misty summer breeze. Through her music, the L.A based Bahamian rapper and singer-songwriter reminds us that she’ll always be an island gyal at heart.
Furthermore, Siren ventures her artistry into different genres. All while showing everyone through dominance that this is her sound alone.
At an earshot, Siren comes loaded with ‘tude in her rhymes. Solely clean with the flows, she polishes it just fine through undeniable confidence. On the other hand, Siren goes into a soft, trancelike note range when facing pop ballads. Harmony becomes her strength in every verse.
@zacpoor
Still, her music’s biggest distinction comes from the energy it brings listeners worldwide. Quite honestly, it’s the kind of energy that pulls one in without much effort. In Siren’s words: As long as it’s a wave she’s on it.
“My sound is really stylized and when you hear my music you know it’s me. I’m not partial to one genre either as long as it’s a wave, I’m on it.”
Born and raised in the Bahamas, Soaky Siren tackled her craft head-on at a young age. Moved by her culture’s opulence, even in the hardest of times — Siren decided to get her money’s worth.
But really, it was Siren’s profound love for hip-hop that jump-started her career. As she strategically put the pen to the pad, Siren envisioned a life filled with prominence. The thought of fans bobbing to the rhythm and chanting her lyrics back, brung her happiness.
And so, Siren transitioned from an up-comer to a new-age prodigy in the game. Without delay, she’s released four well-acclaimed singles: “Kombucha,” “Quality,” ft. Bantu “Upside Down,” and her latest song titled “Dope Boys.”
Equally important, Soaky Siren has co-written the hit songs including Jason Derulo’s “Tip Toe,” Chris Brown’s “Body on Me” Pitbull’s “Hey Ma” and more.When asked about her song-writing rhythm with Rita Ora and Camilla Cabello, Siren said she just went hard.
“When it comes to writing for other artists you have to have the output, that way something will eventually land. You definitely have to have the wave but hitting that stride happens when you’ve built that creative muscle by doing it enough times. Thankfully I also have a fire team that has helped me build.”
In songwriting, it’s important for Siren to have the output for every song, that way something will eventually land. To add, Siren says in order to make it, one must have the wave.
If anyone wants to build a rapport, they can’t slack off. Creative muscles are the key to landing onshore. In terms of her music, however, Siren doesn’t go for a theme. It’s more-so based on her current headspace and the production. Then, the song’s concept comes and it begins to evolve on its own.
“Having to chase a theme can make the music feel forced. I like to express in real-time so when I create it’s based on the headspace I’m in and the production. From there the concept comes and the song evolves on its own.”
Now, Siren’s music is what others call a whole vibe. Between cleansing hoes out her future and keeping it cool (preferably like the ice in her cup), she finds time to remind others what a queen looks like.
Take, for instance, Siren’s debut single “Kombucha.” Here, she came rude but only with good intentions: to weed out all of the snakes. Amid blossoming into the music scene, Siren won’t allow anything (or anyone) to disrupt her peace.
Thus “Kombucha” comes with a well-deserved floss. During an interview with the blog platform Kick Kick Snare, Siren suggests that “Kombucha” should be taken as a feel-good song.
If those listening in have someone negative in their life, Siren encourages to let go and live your “most lit life.” Besides this, “Kombucha” uses a martial arts influenced flute. In progressions, it dares for enemies to test her gangsta.
But Siren’s rhymes go straight for the jugular before they can utter a word. Along with a fear-stricken windpipe is an eerie, dark soundscape. Likewise, the hi-hats become more combative each time they snap. In truth, all the elements in “Kombucha” bring the wrath.
An example of Siren’s tolerance toward B.S comes from this very line:
“Haters throwing too much salt/Bitch why? When you see me dripping all this sauce. Look, I don’t mix up, I don’t talk. I be punching in the clock. Busy working up my way. Out here raising up my stocks/ Fuck what a hater ever thought/Don’t want no smoke, don’t want that spark.”
Withstanding sweat, “Quality” packs light on kinetic refrains, sensuality and Dancehall. Never missing a beat, Siren uses a tick-tock cadence to express how a fine-looking individual has her swoon.
The sound, being her vice to take lead and flaunt off natural beauty. Similarly, “Quality” up’s the tempo with a blaring siren. In unison, futuristic synths fall in the backdrop. Against her waistline lies “Quality’s” ability to keep both lovers on the dance floor. It’s the kind of song that keeps one anticipated for what they’ll hear next.
As Siren says mid-closing “you put in work, you do it well, you ain’t no amateur” listeners begin to think of those they’ve batted eyelids at. Like Siren said to the blog platform, TRIPLEHQ Hip Hop Headquarters “Everyone’s into what they’re into.”
Then, “Upside Down” gives forth a sharp native tongue. She has no boundaries when speaking on self-worth and decides to add a bit more spice by not acting nice.
Not to mention, “Upside Down” is one of those songs that wrote itself. Production-wise, the track throws in a dark steel drum to accompany the siren’s sudden outburst. Some could misconceive it as annoying, but every element noted adds fuel to her fire.
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One memorable phrase comes toward the end, Siren says, “Ask me, girl why do you curve me? Night you don’t deserve me. I think you heard me. Queen. I must be sursy.”
Lastly, “Dope Boys” serves as a tale of riches and ruin.
Airy yet euphoric “Dope Boys” is all pop and urban. To get the job done, Siren harmonizes in correspondence. Leaning in, you can hear the rise-and-fall pattern that each note possesses.
With the soundscape, Siren built on the idea of an urban resort. From the outside looking in, the islands seem like paradise. But in the distance, there are real, terrible things happening.
For sure Soaky Siren is on her way to the top and for all the up-and-coming artists looking to break the mainstream, it’s important to carve your own path. Soaky knows this and for the Bahamian artist, being careful about the opportune occasions that come in working with artists that already have a platform is of the utmost importance.
“Everybody has their own path ya know? A lot of mainstream artists had their start way underneath the radar. They just built and built until they got where they are. So, I’m careful about putting that obligation on artists. They have massive platforms so I think the conversation should be about how to use them and get behind important causes.”
If you haven’t already tuned into Soaky Siren’s sound. Her new EP, LUCAYA is out now.
Home of the cut-throats — Brooklyn is a populous area that carries many souls on the wring of its neck. Worldly known for its unity, Brooklyn’s people are open to passing genuine love forward.
In fact, they all know that support goes a long way. Still, tourists shouldn’t go so far as to call their bluff. They’re more about actions and less concerned with words. Now, the 10 artists mentioned prove the theory of “all work and no play.”
On a mission to get a bag, they don’t stop until they can bring one home. And let’s just say they’ve brought home armfuls. In honor of Brooklyn’s rise to fortune, here’s a list of complex MC’s who started off with a dollar and dream.
Jimi Tents
Jimi Tents is so East New York confidential. “Below The Surface” of his rhymes are a slick entendre that tie in with stories about our disrupted society, personal wins, and losses. Since he lives and dies by music, Jimi Tents only creates songs that are timeless.
Really, it’s the type of sound that one can backtrack to during any stage in their life. Along with this, Jimi paves the way for hopeless souls to find the light in every tunnel. But he’s really just pursuing what he needs to. Like emotions, he switches with every release. The science behind his sound derives from Brooklyn’s huge melting pot.
JAY GWUAPO
Jay Gwuapo is the one who gets the spot hot. When he isn’t on his burner keeping tabs on clout chasers, he prides himself in living a luxurious life. But it hasn’t changed him much. Jay only stays out of pocket only when Mr. Wise Guy gets brave.
For the most part, his sound derives from a love for hip-hop and auto-tune. Although he’s fairly new, it seems like he’s got the trap sound down pat. If he continues to stay in his bag, Jay Gwuapo’s streams are bound to multiply.
Cyrese
Cyrese never takes a loss. His “go hard or go home” mentality comes from his hometown Bedstuy (Brooklyn) New York. Even on one of his Instagram post, he says “I’m the best ever. I’m the most brutal, vicious and ruthless champion there’s ever been. No one can stop me.”
However, Cyrese’s tone doesn’t come off as too aggressive. In fact, he’s a good guy who’s just “G-living.” Resonate to his charm, Cyrese fluctuates between bedroom music and contemporary rap.
Some would even go so far as to say that he’s the next PARTYNEXTDOOR. Still, Cyrese differentiates himself due to his rapid floetry and faint vocal runs. Notable tracks like “Chance” and “Rolling Stone” prove that Cyrese is finessing for the long haul.
LEIKELI47
LEIKELI47 is a bonafide, independent messenger who just so happens to be masked up like a Mexican wrestler. Behind the conceal she is more reserved. But with it on, she feels more carefree.
The reason LEIKELI47 chooses to cover up is that she anonymously demands others to wake up and hear the damn music. After gaining traction from Jay-Z on her song, “F*ck the Summer Up” LEIKELI47 has been breaking the scale.
Fast forward and LEIKELI47 is still on her grind and hustle. Notable tracks like “Money” have had people compare her to a futuristic Missy Elliott but that’s far from her focus. Leikeli47 just wants to push individuality with one “little superhero cape” at a time.
KWOAT
Creating a play on words with his moniker, KWOAT purposely adds quotes at the beginning of every track so listeners can understand its deeper meaning.
Ultimately he creates a vibe for all occasions but instead of using one musical influence, KWOAT experiments with others all while keeping up his high-end energy. It’s safe to say that KWOAT is the voice for all millennials.
He’s not afraid to speak without being spoken to and his shift between golden lyricism and new school auto-tune proves that we were born in the right era.
BEE NOVA
Full of class and a whole bunch of sass — Bee Nova is a “real round the way MC who can slow flow these dudes to the death.” By nature, her sensuality pours over every track but she doesn’t necessarily oversexualize herself for attention. Moreso its to show others her confidence.
Her message is that of regality. Aside from this, Bee Nova comes with an out-of-pocket cadence and many bold statements. Like a stellar explosion, she’s going to blow. Just look for the brightest star in the rapsphere.
Pop Smoke
Popsmoke’s raspy and grimy sound already has people calling themselves a thot, getting lit, shooting pretend bullets out of a gun-shaped hand, and doing the most. It might be the way he, somehow, ties together West Indian influences and a BK aura over the hard-hitting beats of UK’s drill producer 808Melo.
Tracks like “Hawk Em” has people wilin’ and heads knocking as random beat pops vibrate through everyone’s body. Follow the Canarsie rapper as he continues to break necks and keeps bodies moving as he lets everyone know that the Woo has arrived.
Gosha Guppy
Gosha Guppy is on another planet for sure. In his otherworldly rhymes, Gosha Guppy still finds leeway to keep it real and sucker-punch those who go over the line. However, his music doesn’t necessarily focus on the cops and robbers like “A Beautiful Day to Get Robbed” would suggest.
Often times, Gosha Guppy speaks on his altered state of mind while on drugs and the pit of depression. After creating buzz off his 2016 single “Hit My Line” the sky has been his only limit. Honestly speaking, Gosha Guppy is just bringing awareness of the highs and lows that our generation faces.
Check out our Straight Outta Brooklyn playlist below
