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10 Black stylists who have pioneered the way people dress today

Black stylists and designers not only just influence what we wear today, but they have influenced fashion for generations.

In a culture that takes form around an endlessly shape-shifting industry, the enduring legacies of Black stylists emerge in the fashion world as era-defining pillars of style.

Often omitted from the archive, the visionaries behind some of fashion’s boldest moments have nevertheless been holding down the culture for decades. And these Black stylists continue to frame trends in the contemporary scene.

From taffeta gowns of the ’50s to jeans on the red carpet in the early aughts, below are some of fashion’s most significant Black influencers.

Patti Wilson

Patti Wilson photographed by Emma Summerton for a profile in Models., 2016

Crowned Vogue Italia’s Editor-At-Large, and boasting decades of editorial direction for every major magazine, Patti Wilson is undoubtedly a heavyweight champion of styling and fashion direction.

Reigning through the 80’s in New York, Wilson rose to legendary status styling icons like Prince and Naomi Campbell. And this was only a few years after a chance encounter with a photographer at a jazz club where Wilson worked as a hostess.

Her public anonymity is the trademark of her excellence as a coordinator. She makes countless hours of work seem impossibly natural.

Wilson famously captured Lil’ Kim, Aaliyah, Missy Elliot, and Da Brat in a shoot for Elle magazine in 1999.

Wilson continues to work alongside world-renowned photographers, supermodels, and runway designers to bring her eclectic style to life. 

“If I follow anything I follow talent! I have been so fortunate to be working with so many people who I admire. And that’s what I love about them, their unique abilities & talents. To me, variety is what makes fashion interesting.”

Wilson in conversation with One Management’s Christopher Michael

June Ambrose

June Ambrose for Coveteur Magazine, 2013

As far as the contemporary fashion world is concerned, the woman most responsible for bringing the street to the runway is June Ambrose.

Ambrose started off at Uptown Records alongside fellow stylist Misa Hylton and A&R legend Sean Combs. She has been revolutionizing the industry since she stepped on the scene twenty-five years ago.

We have her to thank for sneaker culture in the mainstream, countless music videos of the ’90s. And for spearheading the path for future Black creatives by inventing the job title of “stylist” that didn’t exist before her.

Small Black-owned record companies that popped up in the ’90s, like Death Row Records, or Roc-A-Fella, were the first to have hired professionals to style their clients. And Ambrose’s impact was living proof that the investment was worth it.

Misa Hylton

Misa Hylton (left) seen styling Lil’ Kim (center) for a shoot in 1999 in this polaroid featured in the New York Times as part of a photo series in 2016

Arriving on the styling scene at only 17 years old, Misa Hylton began designing and curating looks for hip hop’s hottest clients almost by chance.

Working alongside then-boyfriend Sean Combs, as he founded the groundbreaking Bad Boy Records, Hylton went on to style celebrities like Missy Elliot, Thomas Wesley, and Jodeci.

This was at a time when luxury designers were less than enthralled to be associated with hip hop culture.

On The Premium Pete Show, Hylton recalls: 

“I’d be in Chanel with Mary J. Blige. And they said that her card declined, but it wouldn’t be declining. It was crazy. And then fast forward a couple years later, and we were both getting invited to sit front row.”

Misa Hylton

Seeing as we have yet to forget Lil’ Kim stepping out at the 1999 MTV VMA’s in the lilac jumpsuit more than 20 years later, Hylton’s legacy as a pioneering Black stylist is undeniable.

Marsha P. Johnson

Marsha P. Johnson at the Stonewall Riots

Crowns complete with artificial fruit, lipstick and dress in matching shades of striking red, and a smile that never goes unrecognized, Marsha P. Johnson was Greenwich Village’s stylish darling for almost three decades.

Marsha was known predominantly for an inspiring life of service to the LGBTQIA+ community. But she had an undeniable style that elevated the drag communit. And pushed creative bounds with her resourcefulness.

Johnson’s flamboyant silhouettes, bright wigs, and stacked accessories made her impossible to miss. She even caught the eye of pop artist Andy Warhol, for whom she once posed in a polaroid.

In interviews since, she’s described a lifetime of fashioning flower crowns out of the leftover petals that would fall where she slept under the tables in Manhattan’s flower district. As well as rifling through the trash for tossed-out gems.

The exaggerated, camp-style that has resurfaced in the culture today owes its whimsical and uplifting spirit to Marsha P. Johnson, who fought tirelessly for everyone’s right to exist and create.

Ann Lowe

black fashion
Ann Lowe featured in the 1964 Saturday Evening Post. Photograph courtesy of the author

Among wealthy American elites in the 1950’s, Anne Lowe was a highly sought-after dressmaker. She dazzled clients with what would later be recognized as couture quality seamstress work.

Lowe was famously commissioned by Jackie Kennedy to create dresses for her historic wedding to John F. Kennedy, including pieces for her whole bridal party and the wedding dress itself.

She accomplished this despite her studio flooding only 10 days before the wedding. This ruined two months’ worth of work that had already gone into the project.

The dress received national coverage as a centerpiece for a momentous occasion. But Lowe herself was only ever referred to as a “colored dressmaker.

Lowe was never acknowledged publicly by any of her high society clients. But she gathered tulle and lace masterpieces, fixtures in the closets of all the most glamorous women of the ’50s. And she defined the timeless feminine quality that the era offers fashion today. 

Tina Knowles-Lawson

black fashion
Tina Knowles-Lawson sits for a regal portrait by Ryan Pfluger for the New York Times, 2017

In the white-washed world of early 2000’s pop stars, Destiny’s Child was a game-changing trio in many senses.

Ms. Tina Knowles-Lawson (Beyonce’s mother) was behind most of the group’s earliest looks. And she designed every garment for the girls from red carpets to concerts to TV and radio appearances.

Knowles-Lawson worked alongside Beyonce’s longtime stylist Ty Hunter. Hunter was himself discovered by Knowles-Lawson in a boutique where he worked.

And Knowles-Lawson drew inspiration from girl groups of the ’70s (like Diana Ross the Motown Queen!) to pioneer a new look in Black culture.

She was discouraged from her vision for the girls, especially with the likes of Britney Spears and Christina Aguilera regularly dominating the scene:

“At the time they were big pop stars. And in order for the girls to cross over, they said they needed to wear jeans and t-shirts. I took offense to it because I felt like the girls, in their splendor, were different. They were unique, they were unapologetically Black.”

Tina Knowles-Lawson

Ultimately, Ms. Tina’s commitment laid the groundwork for their legendary ensembles to be recognized as pop stars and style icons alike.

Young Thug

black fashion
Young Thug in Alessandro Trincone. Image by 300 Entertainment

From the moment his cover for the EP “No My Name Is Jeffery” was released in August of 2016, Young Thug’s career in rap has been inseparable from his trailblazing sense of style.

Thug’s gender-defiant style marked a cultural shift in the otherwise rampant culture of hyper-masculinity in the rap game.

But even before that, the rapper was already coming out on covers of magazines like DAZED in tulle dresses. And regularly posting selfies in chains closely wrapped like pearls around his neck.

In an interview with Billboard he recalls:

“When I was 12, my feet were so small I wore my sisters’ glitter shoes. My dad would whoop me: ‘You’re not going to school now, you’ll embarrass us!’ But I never gave a f— what people think.”

Young Thug

Working alongside his longtime stylist Zoe Dupree, who ensures he has a massive collection of garments to choose from at any given time, Thug continues to pave the way for rappers like Lil Uzi Vert or Playboi Carti and their fans to dress however they want to. Picking up then, right where icons like Prince and Andre 3000 left off. 

Dapper Dan

black stylists
Daniel Day (left) poses with L.L. Cool J (right) in his custom bomber jacket, 1986. Photographer unknown.

Anyone who has ever pledged allegiance to a 90’s hip-hop/R&B icon knows the signature work of Daniel Day, popularly known as Dapper Dan.

Growing up in Harlem, Day loved shoes, but given that his family was rarely able to afford them, he instead joined groups of up to 40 or 50 kids that would break through windows and shoplift.

After enrolling in Columbia University and traveling to Africa, the iconic Black stylist returned to Harlem with a renewed passion for design.

And he then began reimagining clothes in the iconic logos of major fashion houses like Gucci, Fendi, and Prada in his 24 hour, 7 days a week, custom order boutique.

His fresh takes have been likened to the practice of musical sampling, for the way that his pieces inject new life into the logos he dressed celebrity athletes and hip-hop artists in.

But his store was ultimately run out of business by a conglomerate of lawyers representing the major fashion houses he was appropriating.

Rumor has it he has taken his operations underground, and after a cultural appropriation scandal in which Gucci boasted designs of his from the late 80’s as their own in 2018, he now designs in an invitation-only atelier known as The Dapper Dan Atelier Studio financed by Gucci. 

Derek Lee

black fashion
Lee (right) poses with Aaliyah (right) on the set of the popular video for her song “Try Again,” circa 2000.

Despite her untimely death and the aftershocks of her absence from popular culture, Aaliyah’s effortless vibe and simple, balanced silhouettes are still the blueprint for Y2K fashion that has returned to the mainstream today.

Derek Lee is the man behind the enigmatic style that amplified her look without obscuring her genuine spirit, inspired by the pretty girls he grew up with on Manhattan’s Lower East Side. And he was also the creative force that dance hall brought to their looks.

Aaliyah frequently flew back and forth between L.A. and N.Y., and thus early looks were bought in sex shops downtown, simply because they were the only stores open at midnight before Lee had to get back on a flight to be on set with her the next morning.

As Aaliyah rose to fame, Lee got the opportunity to style her in knock-off Chanel belts from Canal Street, countless monochromatic music video moments, and even a Dapper Dan original.

Lee would have been on the flight that killed Aaliyah if he hadn’t opted to spend another day in the Bahamas. This was where her single “Rock the Boat,” was filmed.

On their last ever project together, Lee styled Aaliyah in a loose tie-dye fabric he picked up in the garment district and fashioned into a skirt on set.

Josephine Baker

black stylists
Josephine Baker captured in costume by George Hoyningen-Huene, 1931.

The great Josephine Baker was an elusive figure of the Roaring Twenties, whose influence on style today cannot be overstated.

With her signature pencil-thin eyebrows and sleek pixie cut, she defined the look of the decade. But her risque costumes have lived on through the ages as a timeless mainstay of glamour.

Baker was the first Black woman and stylist to become a world-renowned performer and cultural trendsetter of her age.

She was also a spy that relayed information to the French on what her audience members in Nazi Germany were discussing during her burlesque performances.

For this, Baker used invisible ink on her music sheets to take notes.

Baker was a major part of the civil rights movement upon her return to the U.S. And she also refused to play to segregated audiences. We will always remember Baker’s on-stage costumes.

They famously include a skirt made only of bananas that she donned in her performances in Paris. As well as bedazzled lingerie that Rihanna famously made an homage to at the 2014 CFDA Fashion Awards. 

These Black stylists defined their generations… and their impact is still felt today

From Josephine Baker to Young Thug, these Black stylists show that Black culture never dies. Rather, it lives on and is adopted and then expanded upon by new Black creators.

Furthermore, these Black influencers carry the torch forward for creativity in fashion.

And we don’t just remember them on Black History Month, but all year-round.

Alexander Wang drops line of ’90s rap-inspired tees and they’re fire

Hip-hop and style have gone hand in hand since the first MCs came about.

Hip-hop has something that makes it just straight cool. Maybe it’s the flow or the words the MC can spit but either way hip-hop culture is now pop culture.

These artists are the ones who can shift the culture and decide what we see as cool, they’re always at the cutting edge of trends. They told us baggy was cool so everyone rocked baggy jeans. Alexander Wang has realized this and has teamed up with Procell Vintage, local NYC vintage retailer, to create some vintage hip-hop tees.

They feature some of the biggest names in hip-hop like Notorious B.I.G., Public Enemy, Junior Mafia, and Snoop Dog, just to name a few.

In an interview with HypeBeast, Wang explains how he chose these artists to feature,

“I basically picked out my dream lineup: Aaliyah, Dr. Dre, Wu-Tang Clan, Janet Jackson, Mary J. Blige, Fugees, Snoop, Lauryn Hill, etc.”

These shirts come from Procell’s private archive, which apparently is huge and incredibly rare. But out of this collab with Wang the Aaliyah tee will be the rarest once to be produced.

Now you’re thinking what could make it so rare? Well in an interview with with i-D, Procell said,

“A lot of the other shirts we have are incredibly rare, but others exist — they’re in another dealer’s hands, they’ll come up on eBay, or they’re somewhere in Japan. In 15 years of doing this, I’ve only ever seen this shirt once.”

These shirts are gonna be hot and you can get them right now at Wang’s flagship store in NY.

Here are some pics of the project but be warned they are FIRE!

Here’s the rare Aaliyah tee

This Biggie tee is fire

But how they have Biggie twice and no Tupac?

Dre got his nice and simple just how we like it

Let’s not forget, the rap game isn’t only men

Who said white guys can’t rap?

R&B and hip-hop go hand in hand

That group was stacked, damn

Wang really repping East Coast with this collab

Ayy but Snoop out here

How Aaliyah solidified herself as a cultural icon at 22-years-old

It was her beauty that captivated us, her mystique that made her unique, and in the end, her influence that made her a musical icon.

At the age of 22, with Aaliyah’s star on the rise to supernatural heights, she succumbed to a tragic plane crash. It’s odd to think it’s been sixteen years since the passing of the critically acclaimed R&B princess.

In such a short time, she’d accomplished what takes some their whole lives to conquer.

Known for her infamous side swoop covering her face along with her forward lyrics and sensual delivery, it was no question that she was indeed an R&B sensation.

Niece of the legendary Gladys Knight, Aaliyah got her first break at only 11 years old singing on-stage with her aunt. She was managed by her uncle Barry Hankerson of Blackground Records, who had a hand in the careers of R.Kelly, Ginuwine, Timberland, and Missy Elliot.

She went on to garner 2 Grammy nominations, produce 3 hit albums, and act in high profile movie roles, including Romeo Must Die and Queen of the Damned.

Her fearlessness when it came to fashion made her a muse for years to come. Before Rihanna had Fenty, we had Aaliyah.

She emerged toting dark lipstick, overalls, a bandana, and dark shades in her debut single “Age Ain’t Nothing But a Number.”

Her tomboyish look paired with her angelic voice and sensuous lyrics gave her a memorable flair.

Essentially she was singing love songs in timbs and jerseys. Yeah, lit. No, SZA wasn’t the first.

She exhibited a certain confidence in her performances and a sureness in her singing and lyrics at a young age. She quickly became the poster child for renowned brands like Tommy Hilfiger, which included styles that are rapidly circling back around today.

Her tomboy repertoire subtly turned sexier over time. Her shades came off and her bang came through. She popularized streetwear in a lustful way and was among the fashion trailblazers of the ’90s.

Baggy jeans with bra tops, oversized sweatshirts, bandanas, and bucket hats were just some of the staples to her progressive attire. Her swag is often duplicated today. As “new” trends continue to emerge, we’re often reminded that Aaliyah did it first.

She formulated a timeless fusion of street chic. Her style was so pivotal to the culture, 16 years later, MAC cosmetics just announced the launch of an Aaliyah inspired lipstick collection after a petition led by her fans and backed by her brother, Rashad, garnered 26,000 signatures two years ago.

She’ll join the likes of Selena Quintanilla who was also honored with a posthumous collection with the company.

The only phrase to use when it comes to Aaliyah’s style and sound is “well ahead of her time.” She started off producing music with rumored ex-husband, R Kelly.

The legitimacy of their marriage is still in question today, she was 15 while Kelly was 27 at the time, but the marriage license claims that she was “18.”

After her parents demanded her departure from R.Kelly, she explored other avenues. She ditched her black shades for her swept bangs, and created a futuristic blend alongside producers Missy Elliot and Timberland.

Her music is still setting the vibes and relevant today despite the nearly two decade time lapse.

Whether she was coming with ballads like “One In A Million,” or soulful selections like “Are You That Somebody,” she had an undeniable range. It kind of sucks her songs aren’t available on any streaming services.

Her uncle is sitting on her digital discography in hopes of protecting her legacy, but fans worry that it will only harm her memorial efforts.


The biggest colloquy in the loss of Aaliyah is the constant debate on what she would have and could have been.

Seeing stars that came up in the same era is her makes it overwhelming to think about how far Aaliyah would have gone knowing how much she’d already done.

With her dating Dame Dash, co-founder of Roc-A-Fella Records, at the time of her death, it’s only natural that the comparisons involving Jay-Z and Beyonce come up often.


Her death directly after the completion of the her self titled album, Aaliyah, and the filming of her video for the same project leads me to wonder… did she simply fulfill her destiny?

Luckily, we have the remnants of her legacy to rest on and a bunch of artists coining her as their inspiration that she will continue to live through.

I’m one of many hoping her uncle comes up off her unreleased music.

The world deserves to hear all of her art. RIP Babygirl.

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