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Author page: Taysha Silva

How Jenn Im used her YouTube stardom to launch her own clothing brand

On March 15th, 2018 27-year-old fashion, beauty, and lifestyle influencer and YouTube sensation Jenn Im launched her festival collection for her brand Eggie.

This fire new collection comes as another power move for Jenn Im, who has grown from a small outfit-of-the-day style channel to a creative self-starter with more than 2 million followers on YouTube over the course of 8 years.

Lively and youthful, the collection features pieces of various fabrics, colors, prints, and designs (polka dot, gingham, lace, silk, denim, etc.).

The collection includes sweaters, t-shirts, blouses, shorts, skirts, shorts, dresses, slips, matching sets, a pair of jeans, and a robe. Each piece captures the light, fun, vivacious mood of spring/summer, as well as Jenn Im’s own unique personality and style.

For example, one stand-out piece is the tee emblazoned with “Hot Cheetos Anonymous,” which references the vlogger/content creator’s favorite snack addiction.

In addition, with the Busan set (comprised of a matching top and trouser), Jenn Im as a Korean-American pays homage to a South Korean city known for its beaches.

Ranging between $25-89, the pieces are mid-priced and available to buy on the Eggie website.

The festival collection as a whole celebrates music festivals. Jenn Im is herself a regular attendee and vlogger at festivals like Outside Lands, Coachella, and Leeds.

Often, she will go with other YouTubers in her friend circle like Stephanie Villa (SoothingSista) or her fiancé Ben Jolliffe, who frequently assists with filming and is the drummer of English rock band Young Guns.

Jenn Im expresses her avid love of music and its impact on her collection. She notes on the Eggie website,

“This collection was inspired by all the music festivals I’ve attended and all the music festivals I want to hit this summer. Music has always had a heavy influence in my life, I remember being in my teens and just attending local shows.”

No stranger to both the aesthetic and practical needs of a festival-goer, Jenn Im wanted to create pieces that were “versatile” and “allow you to look your best AND be comfortable enough to dance the night away.”

In the announcement of her new collection, Jenn Im was thrilled by the support of her friends and fans. On March 30th, Jenn Im held a promotional event to celebrate the launch, and guests included loved ones and well-known influencers like Jackie Aina and Joan Kim.

The festival collection is Eggie’s third collection, an ambitious endeavor considering that the California-based clothing line has been live for less than a year.

As an up-and-coming brand, Eggie has blasted its way onto the fashion scene with its trendy and wearable streetstyle designs, propelled by its exposure on Jenn Im’s YouTube channel  and Instagram.

Eggie is named for the Korean word for “baby” because Jenn is the baby of her family and, as Eggie’s founder, she considers the brand as her baby. About the mission of Eggie, she states,

“This line reflects my own personal wardrobe and is designed for today’s customer who loves to reinvent their look and doesn’t want to be labeled or boxed into one style. My goal with this line is to push the boundaries of fashion and include a selection of gender fluid pieces that are inclusive for all. People can express themselves through Eggie, and experiment with styles that effortlessly transform themselves from polished to punk.”

When she started her channel in 2010, Jenn Im did not anticipate how her self-expression would lead to her blossoming career or how she would build a community of loyal subscribers. Her YouTube channel was initially named ClothesEncounters and was a joint project with her college friend, Sarah Chu.

In a Q & A video, the two spoke about the origins of the channel. Jenn said,

“I just noticed there was a huge hole in the fashion realm [at the time], and I was like ‘Hey, maybe that could be what we bring to the table’…It’s pretty scary putting yourself out there online. I wouldn’t have been able to do it without you [Sarah] because it would have been so awkward to be like ‘Hey Mom, can you film me?’.”

Sarah also added,

“Jenn thought there were other girls that would have similar interests that would want to see their clothes represented online…between us two, we had a lot of creative trust which you really need to be able to say ‘I want to do this thing…is that dumb or no?’… we never put each other down in our ideas…we had really good chemistry.”

However, in December 2011, Sarah Chu left the channel due to various factors (Jenn transferring to another university, the death of Sarah’s father, and a shift in her interest in fashion). Since then, Jenn continued to pump out video content solo.

She created a diverse range of videos, including lookbooks, monthly favorites, skincare routines, makeup tutorials, travel vlogs, life advice, and more. Her commitment and networking garnered her a growing amount of subscribers, who admired her quirky personality and distinctive, evolving style.

Her content also caught the attention of various brands. Jenn has collaborated with big names like Simple Skincare, Calvin Klein, and Macy’s. She had her own makeup collection with ColourPop, and worked with jewelry brand Mejuri to create elegant necklaces and rings.

On the topic of how far she has come and Eggie, Jenn Im expressed her pride and gratitude when she first announced her brand in August 2017, saying

If I told my 18-year-old self that I would have my own clothing line, I wouldn’t have believed it, and I also would have been terrified because, when I first started YouTube, I was so lost. I was really struggling when I first started this channel. I got rejected to all my dream schools, I was going to community college, I was working at a smoothie shop, and I just felt like I was letting everyone down in my life. And YouTube was my little escape to showcase what I knew and what I felt good expressing– fashion and style.

As a young and rising woman, Jenn Im paves the way to her own success and enjoys sharing the love with others.

Recently, she was a speaker at A Rare Day, a summit and networking event for female creators, entrepreneurs, and “disruptors”.

She also shares helpful content to help a young adult navigate their come-up, such as “My Life After College” and “How I Edit Videos.”

Passionate and innovative, Jenn Im is killing the game, making her voice heard and her vision seen.

PSA: The Cinderella diet is extremely stupid and won’t turn you into a princess

In Japan (and now worldwide), a dangerous new trend has emerged, encouraging young women to pursue drastic weight loss to emulate Cinderella. As little girls, many of us embraced Disney princesses as role models.

With storylines that featured action, romance, animal friends, and magic — along with occasional wardrobe changes and dope soundtracks — Disney princesses were beautiful, compelling, and admirable.

My mother for one was hard-pressed to pry my Cinderella dress away from her toddler’s cold, hard fingers. Then, some of us hit our not-like-other-girls phase, rejecting anything pink, sparkly, and princess-y.

Disney Getting Ready GIF - Find & Share on GIPHY

It was only after maturing, coming to terms with our own unique femininity, and learning about various feminist perspectives that many of us were able to revisit Disney princesses and see the good (these animated movies centered on female protagonists pursuing their journeys and promoted values of kindness), the bad (that many of these plots centered on finding love), and the ugly (that the princesses encouraged a narrow, hyper-stylized version of beauty which didn’t promote self-confidence and body acceptance).

The “Cinderella weight” draws on the troubling beauty expectations for princesses, offering a mathematical formula for women to calculate their desired goal. Cinderella weight can be calculated by measuring one’s height in meters, squaring that number, and then multiplying by 18 to achieve the kilogram amount.

Hungry Country Music GIF by Kacey Musgraves - Find & Share on GIPHY

For example, if you are 5’ 4” (1.63 m), then your Cinderella weight would be about 105.4 lbs (47.82 kg). These proportions would put the participant at a body mass index of 18. In comparison, the American Dietetic Association defines the healthy, ideal BMI from 20-25, making the Cinderella weight considered underweight.

While BMI alone may be a misleading, imperfect assessment of one’s health (it fails to consider factors such as body fat/muscle mass and tends to differ between racial demographics), it serves as a useful tool in illustrating the extremity and arbitrariness of the Cinderella weight.

Many shocked netizens took to social media to speak out against the new craze.

https://twitter.com/laurenpage/status/969693866998689792

“The ‘Cinderella Weight’ is basically 18 in terms of BMI, which is the lowest line in regard to standard weight. It is incredibly thin. People with the ‘Cinderella weight’ don’t have their foot in a glass slipper but have a foot into malnutrition.” — @demisefgo

Others disagree with the condemnation of “Cinderella weight.”

https://twitter.com/fayannboo/status/973316552828379136

“I weigh less than the ‘Cinderella weight’ but my doctors tell me that I’m healthy. I’m not dieting or morbidly ill. I think it’s just because I naturally don’t gain weight. I’m normal.” — @opabunmi1344

The health risks associated with being underweight are not exactly “happily ever after”. According to Today’s Dietitian, the leading news source for dietitians and nutritionists:

“Those who are underweight are prone to infection due to weak and easily compromised immune systems and tend to have low muscle mass, hair loss, and in some cases disrupted hormone regulation… Being underweight can also derail intake and absorption of vital nutrients, including amino acids, vitamins, and minerals, leading to increased risk of osteoporosis and anemia. In addition, underweight women are prone to amenorrhea and possible pregnancy complications.”

Despite the hazardous repercussions, many women conflate skinny to being attractive/healthier and are therefore willing to take radical, unhealthy measures. Mari Suzuzi from the Japan Association for Eating Disorders (JAED) acknowledges the rising percentage of underweight women in Japan.

“They [Japanese women] see being thin as a desirable goal. Women are feeling pressure both from the media and from their peers to maintain a weight that may not be healthy,” she told the Japan Times.

The pressure is evident, even in government mandated law. Instated in 2008, the Metabo law required annual company health checks for adults age 45-74 and penalized companies for employees who exceeded the designated health checks (33.5 inches for men and 35.4 inches for women).

In Japan, which has a homogeneous society that typically emphasizes conformity and slimness, women are also impacted by glossy magazines which boast thin models and the latest diet methods and retailers offer a narrow range of choice for clothing size and different body types.

This has even produced bizarre trends like the long breath diet. It is no surprise that various studies, including a 2008 study by the University of Sydney, suggest that an alarming amount of Japanese adolescents suffer from body image and eating disorders because of social factors.

Dr Aya Nishizono-Maher, a founding member of JAED, elaborated to the Tokyo Weekender, criticized the lack of ED treatment facilities in Japan and elaborated:

The prevalence rate of eating disorders is difficult to assess because in both anorexic and bulimic cases, the percentage of people that actually visit doctors is very low. Also, the prevalence rate depends on whether to include the increasing grey zone of people with lighter symptoms. If we only include patients that meet all the diagnostic criteria, the prevalence rate of anorexia nervosa in young females in Japan is considered to be slightly less than 1%, and 2% for bulimia nervosa, as in other developed countries…It might seem like a small number, but this means Tokyo alone has 600 to 800 new anorexic patients every year. And this does not count potentially anorexic people who do not see doctors.

Meanwhile, although some overweight TV personalities may be ridiculed and caricatured as lazy, Japanese celebrities like Naomi Watanabe are making moves to spread body positivity.

Watanabe, a popular comedian, a quirky style icon/designer, and the most followed person in Japan on Instagram, told Vogue,

“My message is never to tell other people that they should get fat or put on weight, but I truly believe that I should be happy, and everybody should be happy in their own skin. You shouldn’t reject the way you are.”

Curvier, pocchari models (“marshmallow girls” as termed by La Farfa magazine in 2013) shift the sizeist culture and carve their way into the fashion/beauty world, despite comments such as “stop trying to rationalize fatsos!”

In a world plagued by unrealistic beauty expectations and fad dieting, many continue to echo the harmful weight loss methods of the past.

We may have stepped away from tapeworms and arsenic, but weird trends like “Cinderella weight” are a reminder of the dark side of weight loss.

As Cinderella said, “a dream is a wish your heart makes,” and that dream should be for health, not for a certain measurement.

‘Shonen Jump’ collabs with Uniqlo to make mad must-cop tees

To commemorate its 50th anniversary, the prolific manga giant Shonen Jump is collaborating with clothing retailer Uniqlo to create a capsule collection featuring iconic characters.

The collab includes 40 graphic T-shirts that highlight manga favorites from Shonen Jump’s decades of success, including Bleach, Dragonball, Yu-Gi-Oh!, One Piece, Yu Yu Hakusho, and Hunter x Hunter. In addition, the collection contains older mangas, such as Kochikame and Captain Tsubasa.

Uniqlo

Each T-shirt varies in color scheme and design, but the unique prints are bold and expressive, paying homage to the personality and legacy of each manga character.

Set to release in Japan on April 16, the Uniqlo x Shonen Jump collection is already causing a stir among international anime and manga junkies who want to rep their fandom and nostalgia not just with cosplay in conventions, but casually on the daily.

Uniqlo

The collaboration comes as part of a multi-part celebration of Shonen Jump’s anniversary: three art exhibitions (available for virtual viewing on smartphone app Jump 360), reprints of landmark issues, a $22 CD of the best songs from anime adaptions of the magazine’s manga, a card battle game, and a manga submission competition for $9,000 and the opportunity to appear in Shonen Jump (the screening committee was headed by Naruto creator Masashi Kishimoto).

Uniqlo

Shonen Jump has gone through quite a journey during its half-century run. Created in 1968 under the publisher Shueisha, the manga anthology has grown from being an underdog in the manga market to worldwide recognition.

Weekly Shonen Jump emerged as a male-oriented version of its sister Shojo Book — at a time when it had to compete with already-successful Weekly Shonen Magazine and Weekly Shonen Sunday.

Uniqlo

Although many of the more experienced artists/authors gravitated to the more established manga anthologies, Shonen Jump carved out a name for itself with titles like Go Nagai’s Harenchi Gakuen and continued to pump out creative works which pushed boundaries. Tsukasa Hojo, who contributed to Shonen Jump’s early success as the mangaka of Cat’s Eye and City Hunter, voiced,

“Jump is a magazine that continues to adapt to the changing times. I don’t think it’s a conscious change. They adapt naturally.”

With branches across the world (including the American Shonen Jump under Viz Media), a digital magazine online, and current top titles like My Hero Academia and Boruto: Naruto Next Generations (along with the continuing reign of JoJo’s Bizarre Adventure and One Piece), Shonen Jump continues to publish exciting and compelling manga.

Uniqlo

Uniqlo captures Shonen Jump’s youthful, innovative spirit. The clothing designer, manufacturer, and retailer has a knack for conveying the persona of beloved characters and franchises.

Although Uniqlo primarily offers everyday pieces, it also has previously released T-shirt lines with characters from Disney, Lego, Pixar, Peanuts, and Sanrio.

Uniqlo

Incorporating meaningful media which customers connect with, the Japanese apparel brand expresses how their commitment to self-expression translates into their simple yet modern design, stating:

“A T-shirt is a direct expression of the wearer’s individuality and values…That’s exactly why UT carefully selects authentic cultural content that transcends time and genre from around the world such as art from up-and-coming artists, comic book characters and traditional brands…we offer the world T-shirts that possess genuine value”…a special tee that resonates with you.”

After Parkland shooting, law enforcement officials are in hot water

After being dragged by his community, his police department, and even the president, the armed school deputy assigned to Marjory Stoneman Douglas High School who failed to enter the building to confront the shooter and interrupt the killing spree is now attempting to justify why.

After the horrific massacre on February 14th, Broward County Sheriff Scott Israel condemned the inaction of the school’s only armed school resource officer, Scot Peterson, after viewing footage of how he handled the incident.

Scot Peterson, a veteran deputy who was hired in July 1985 and had served at the school since 2009, remained outside the building as shooter Nikolas Cruz fired his semi-automatic rifle inside, killing 14 students and 3 school staff members.

During the six-minute rampage, Peterson, 54, instead took a defensive position outside. Sheriff Israel said that:

“What I saw was a deputy arrive at the west side of building 12, take up a position, and he never went in…[He should have] went in, addressed the killer, killed the killer.”

In a CNN interview with Jake Tapper, he also declared that he was “disgusted” with Peterson’s “dereliction of duty.”

After being placed under investigation and on suspension without pay, Peterson resigned from the force. Two other officers are also being investigated for their involvement with the incident.

Peterson has faced nationwide disgust and criticism for letting the shooter go unimpeded. “Shame on him…I know him. He was there my four years of high school,” student Ariana Gonzalez remarked to the Washington Post.

“And the fact that an officer couldn’t do their job and that Coax Feis and Coax Hixon had to sacrifice themselves for something that a police officer should have been in charge of, it’s inexplicable…we could have had a chance! This was never supposed to happen if he had just done his job!”

President Trump also blasted Peterson during a gathering of US governors at the White House. He called the performance of the Florida deputies “frankly disgusting,” adding that,

“I really believe I’d run in there, even if I didn’t have a weapon, and I think most of the people in this room would have done that too…but the way they performed was really a disgrace.”

Trump voiced his support for arming teachers after the shooting in Parkland, Florida during a White House press conference, using Peterson’s behavior as proof that more educators should concealed carry for “offensive capability.”

He stated,

“We need people who can take care of our children…people that love the children. See, a security guard doesn’t know the children, doesn’t love the children. This man standing outside of the school the other day doesn’t love the children, probably doesn’t know the children. The teachers love their children, they love their pupils, they love their students.”

However, Peterson’s lawyer, Joseph DiRuzzo, defended the former deputy, rejecting claims that his client “did nothing” or that Peterson’s behavior was based in incompetence and fear; instead, he asserts in his statement that Peterson reacted based on his assessment of the situation, in compliance with his training.

“Let there be no mistake, Mr. Peterson wishes that he could have prevented the untimely passing of the seventeen victims on that day, and his heart goes out to the families of the victims in their time of need,” DiRuzzo said.

“However, the allegations that Peterson was a coward and that his performance, under the circumstances, failed to meet the standards of police officers are patently untrue.”

DiRuzzo presented his client’s perspective on the situation. He says that the initial call Peterson received was about firecrackers, not gunfire, in the area of the 1200 building. Peterson ran toward the 1200 building and heard gunshots, but thought they were coming from outside one of the buildings.

He says that,

“BSO trains its officers that in the event of outdoor gunfire one is to seek cover and assess the situation in order to communicate what one observes to other law enforcement. His client says that he “took up a tactical position between the 700-800 buildings corridor/corner.”

As the first police officer arrived, Mr. Peterson told the officer that he “thought the shots were coming from outside,” which was confirmed by “radio transmissions [that] indicated that there was a gunshot victim in the area of the football field.” The officer then took up a position behind a tree.

DiRuzzo says that Peterson acted decisively and “initiated a ‘Code Red’ lockdown on the entire campus,” and DiRuzzo praised his “presence of mind to have the school administrators go to the school’s video room” to use the camera footage to locate and describe the shooter to law enforcement.

Peterson also provided his keys to the Coral Springs SWAT team and gave the BSO SWAT Command diagrams of the campus for student evacuation.

In addition, Peterson’s lawyer mentioned his client’s “decorated career…including receiving glowing annual performance reviews and being named the school resource officer of the year in 2014 for Parkland.”

Indeed, in 2015, Sheriff Israel wrote in a review of Peterson that “Your dedication and allegiance are the best illustration of service [the sheriff’s office] provides to the people of Broward County.”

In his statement, DiRuzzo criticized Sheriff Israel for “jump[ing] to a conclusion” and throwing his client under the bus while “the investigation remains on-going.”

Ellen Kirschman, a clinical psychologist who has worked with police departments for more than 3 decades, expressed to the South Florida Sun-Sentinel,

“I would not want to be in that man’s shoes. The guilt and self-blame he must be feeling, let alone what’s being heaped on him from the outside.

“After something like this happens, I’ve seen officers torment themselves sometimes to the point of suicide… The funny thing about police departments is that when you’re recruited, police are told, ‘We have your back.’ ‘The family in blue’ and all that. But in high-attention situations like this, you see departments quickly turn against their own officers when they need support most.”

Sheriff Israel himself is under fire for fumbling leadership and inability to prevent the shooting. Among the swirling conflict, Republican House Speaker Richard Corcoran sent a letter to Florida Governor Rick Scott, asking for Israel’s removal, with the supporting co-signatures of 73 other House Republicans.

However, Sheriff Israel maintains that he served properly and will not step down. In his CNN Interview with Jake Tapper, he said,

“I’ve exercised my due diligence, I’ve led this county proudly as I always have…I can only take responsibility for what I knew about…I’ve given amazing leadership to this agency…there’s a lot of things we’ve done throughout.”

The ongoing investigation of Scot Peterson is just the tip of the iceberg of the missed red flags and mishandling, which includes at least 18 calls about Nikolas Cruz’s threatening tendencies and the FBI’s failure to react according to a tip “about Cruz’s gun ownership, desire to kill people, erratic behavior, and disturbing social media posts, as well as the potential of him conducting a school shooting.”

On-scene of the shooting, an anonymous EMS responder told WSVN,

“Everything I was trained on mass casualty events says they did the wrong thing. You don’t wait for the scene to be cleared. You go in immediately armed. Retrieve the victims…We were asking to go in…The response every time was law enforcement did not clear the scene and would not allow the medical personnel in.”

The surveillance footage, which may incriminate or acquit Peterson, has yet to be made public. Meanwhile, as the students of Marjory Stoneman Douglas High School returned on February 28th, the nation struggles to make sense of the massacre.

As new information emerges, America is embroiled in a fierce debate on gun control, mental illness, and other factors to prevent similar tragedies.

New game ‘Speed Dating with Ghosts’ finally lets you bag a baddie spirit

For the uninitiated, going down the rabbit hole of dating simulator games can be wild.

It’s not just the typical technophobic concern: spurning interpersonal relationships in favor of falling for an imaginary, pre-programmed character with unrealistic traits.

No — in a world where there are increasing developments in sex robots, virtual reality, and pleasure devices, that concern almost seems like an overreaction. Besides, lonely hearts love being immersed in a romantic plot.

Of course, there are plenty of run-of-the-mill dating sim games on the market with perfectly average Prince and Princess Charmings (childhood friends, handsome “bad boys”, etc.). But then there are the dating sims with bizarre concepts.

Whether you need love or a laugh, you can find something heartwarming, absurd, freaky, or all of the above. You can meet and seduce girls from a Tinder-like app and share “massages.”

You can be a university student housing a handful of rabbits and cats, who transform into beautiful boys vying for your affection. You can be one of the last humans in a post-apocalyptic scenario, living an average school life– and romancing birds.

Nothing is off-limits (or sacred), for better or for worse.

. J̷̰̝̬͔̌͐͛̎́̀̎̊̈́̂̕̚͜ ̵̧̩̳͎͇̮̮̞͉̉̀̆̂̓̊͐̽̎̕̚͝͝͠Ṵ̶̘̼̜̣͂̈́͗͐́͂̾̈̓̚ ̸̺̒̌̓͑͑̅̈́̓̿̉̈̅̑͠͝S̵̛͈̮͑̅͂͌̐̑͐̀͆̓̄̅̚ ̸̧̙̤̬̣̱̟̞̠͓̟̻̙̠̫̈̉̈́̊̂Ţ̷̟̤̹̬͓͖̘͇̯̭͊́̔͗̈́̋́̏̃͜ ̴̛̣͙͉̔̎̒̇́ ̴͙̘̘̱͓̓͆̏͆̀̃̆̃M̶̢̧̧̝̯̰̗͔̫͐͗͂͒͐͒̿͑̉̓͠ ̶͙̦̹͔̘̯͆̑Ơ̴̢͎̬̤̓̈́̎̈̀͋̈̉͊̃͝ ̶̨̰̥̗̱͉̥͓̲͓͖̟̮̖͚̓̆̽̾̚͝N̷̡̰̰̳̦̘̮͖̜̘̠̣͇̤̅́̑̃̍͛̂̂̇͗̓͊̀ͅ ̶̱̘͚͖̔̇̓Ị̸̤͚͇̩̫͙͙̖͍̈́̑͒͊̋̓̐͆͒̊̚͝͠ ̸̟̖̺̜̦̝̂͑͆́̓͆̾͋͆̕̕͝K̸̨̧̨̳̟̼͚̜̣̤̰̭̦̎̏̾̍̌̐̎̅̇̉̍̎̅̕͝ ̷̩̘̲̣͖͕͖͓̼̗̋̑A̸̛̳̟̯͍̺̿̄̈̈͗͒̑̀̂͐̽͐͝ . . →SWIPE TO SEE THE COLLAGE→ . . #DDLC #myart #illustration #drawing #draw #sketchbook #sketch #copic #instaart #instagood #digitalart #photooftheday #instaartist #artoftheday #animeart #manga #mangaart  #animedrawing #animeartist #animearts #mangadrawing #animefan #animedraw #dokidokiliteratureclub #monika #justmonika #dokidoki

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Just in time for Valentine’s, indie developer Copychaser Games released Speed Dating for Ghosts.

Available on Steam and on itch.io, this text-based visual novel/dating sim retails at $9.99, $11.03 when bundled with its downloadable original soundtrack.

https://www.youtube.com/watch?v=JYctsdQPMok

You play as a ghost, milling around in the afterlife. Fran, the antlered dating coordinator, welcomes you and lays down the ground rules.

After picking a room to go in, you sit at a table and strike up a conversation with each suitor.

https://twitter.com/StillNotSam/status/935236632176766976

Of course, you’re making a first impression as you navigate the right conversation options. Just like any other date, you exchange pleasantries and small talk…except instead of “What do you do for a living?”, the common conversation fodder is how you died, where you haunt, etc.

Each candidate has a distinctive backstory, personality, motivation, and outlook on life and death.

You get to know the ghosts in the room through two rounds of dating, then you have the opportunity to get to know them on a more personal level on a date…whether it’s a seance, a bank robbery, or just a pleasant journey through the woods. Each ghost carries an emotion that defined them in life– vengeance, determination, malice, fear.

As you interact with them, each spectre faces its turmoil. When it comes to self-development, soul-searching can be unfamiliar but ultimately fulfilling. Each date concludes with the reveal of your date’s tombstone in the graveyard.

With a wry sense of humor and diverse reflections on the state of the afterlife, the game offers a unique twist on the solemn subject of death.

One of my favorite moments is at the beginning. When the dating coordinator asks if you came to the mixer to help your loneliness, you can reply that you are fine and don’t need love or friendship.

She remarks that if that is how you feel, then it is your personal decision, and you get an early ending…alone and eating ramen and hot dogs. It’s definitely a relatable moment for any introvert who’s not ready for commitment.

The game is notably progressive, allowing you to date masculine and feminine ghosts. Then again, gender is a social construct. Also, all of the spirits have morphed into abstract and eerie entities. That being said, the ghost of the athlete has a nice set of abs.

With a minimal but quirky art style, a chill soundtrack by Grankle, and branching dialogues with a total of 10 characters, the game is surprisingly charming.

Although the game length is short (around an hour), the game’s unlockable achievements offer replay value. Speed Dating for Ghosts’ simplicity and brevity are understandable considering it is the first game production by Copychaser Games.

The small team includes former Bioware developer Ben Gelinas (who worked on titles like Dragon Age and Mass Effect) and writer/indie rapper Mikey Hamm.

Thankfully, we can expect more to come. On February 19th, in a Steam Community community post, Copychaser Games stated:

“Buoyed by the game’s positive response, there are definitely plans to update with some degree of added content in the future. No word yet on when that will happen and to what capacity. But we’ll keep everyone updated via Steam and the newsletter!”

Finally, when it comes to finding your soulmate, you can get ghosted… in a good way.

Hoda Katebi claps back after being called ‘Un-American’ during live TV

Hoda Katebi, a 23-year-old Irani-American fashion blogger was disturbed, but not completely surprised, when she was called “un-American” on live television.

Katebi runs a blog named Joo Joo Azad, which means “Free Bird” in Farsi. She regularly writes about ethical consumption, feminism, human rights violations and waste in fast fashion, and Islamophobia.

https://www.instagram.com/p/BYqx_QnBW_W/

She was roused to start her blog in 2013 after an Anti-Muslim hate crime caused a woman in France to miscarry. Katebi grew up in Oklahoma with the pressure of assimilation and the post-9/11 judgement about the hijab and modest apparel.

Katebi created a platform as a call to action for social change and “a site of unapologetic identity reclamation…[to] challeng[e]…mainstream representation of Muslim women.”

She speaks at universities and to publications and is currently working on her own fashion line, which will employ a refugee cooperative in Chicago to sew the pieces.

https://www.instagram.com/p/BdDisCQB8jr/

Katebi made a guest appearance on Chicago’s WGN News morning show to discuss her new book, Tehran Streetstyle, which depicts the city’s vibrant and diverse fashion and how it departs from Western expectations and clothing regulations.

The now-viral interview, hosted by Robin Baumgarten and Larry Potash, began with smooth sailing. Katebi shared her childhood experiences and the continuing bias against Muslim garments.

Suddenly, Potash threw a jarring curveball. “Let’s talk about nuclear weapons. Some of our viewers say we cannot trust Iran,” he said. “What are your thoughts?”

A brief pause and a nervous laugh later, Katebi gave a composed and nuanced reply. “I mean, I don’t think we can trust this country. What has this country done to the majority of the countries in the Middle East?”

She spoke out against Iran having nuclear weapons, continuing

“I’m a pacifist; I don’t believe in violence. But also when we look at the legacy of imperialism and colonization in the Middle East and we see the legacy of this country and all of the violence that it has not only created but created the capacity for, a lot of these weapons are completely brought in by the United States.”

This led Baumgarten to remark that “A lot of Americans might take offense to that…you don’t sound like an American when you say that.”

Katebi, who studied international relations and Middle Eastern politics at the University of Chicago, responded that it’s “because I’ve read.”

She added that Americans have a lot to be proud of but need to look beyond “simple narratives” of nationalism and recognize “this country was literally built on the backs of Black slaves and after the genocide of indigenous people.”

After this civil but tense exchange, the hosts ended the interview abruptly; Katebi briefly spoke about her fashion collection. Viewers, followers, and netizens reacted strongly to the interview, some applauding and others criticizing.

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Katebi posted her reflections on the interview on social media.

Although she believes the interviewers weren’t purposefully malicious, she explored in a blog post the absurdity and Islamophobic implications of the interview.

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In an interview with RT, she stated that the sudden subject change and the hostility she received for questioning foreign policy astonished her. She said,

“It definitely took me off-guard. After the fact, I wasn’t too surprised because Muslims and people of color in this country and across the West are constantly put in positions where we are kind of seen as both the token but then also supposed to talk about everything relating to our identity, even if it’s not exactly related to the work we are doing at hand…respond for our policies abroad, but then having to blindly pray allegiance to this country.”

She also said that the interview-gone-wrong was a symptom of “underlying microaggresions” that occur so frequently toward Muslims that they are normalized.

She spoke out against the idea that Muslims have to “prove we’re American enough to deserve respect, not being bombed or banned…[or] criminalized.”

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Robin Baumgarten, Larry Potash, and WGN Morning News have since extended apologies on-air, through social media, and personally to Katebi.

Katebi accepted the apology, expressing in a serious tweets that “[t]he apology was important, but it’s also important to be able to use this moment as a teaching tool, and prevent it from happening again. Let’s raise the bar.”

However, it seems that the tension hasn’t completely dissipated. In a Facebook post on February 16, Hoda Katebi wrote that she had attempted to schedule a redeeming interview with WGN but that it fell through.

She wrote,

“After a bit of hesitation, the producer accepted in part, and we went back and forth on the details. The morning of when the interview was set to go live (yesterday morning), the producer called me, furious (not sure if she just got off a call with advertisers/owners)…saying that they are no longer going to do this, and that instead I should come back to the station to do a pre-recorded interview that they would edit before airing…I refused to allow them control over my narrative and words, and said I would not come in on these terms. Larry called later and gave what seemed to be a forced apology, and hung up quickly. I don’t want this to be Hoda vs WGN…it’s about a larger context of anti-Muslim racism globally.”

Certainly, Hoda Katebi’s WGN interview is a byproduct of the times, as well as part of an overarching narrative. The label “un-American” has spanned many eras.

The term has applied to suspected communists in the Cold War and was the grounds for placing Japanese-Americans into internment camps during World War II.

Under a Donald Trump presidency, which instated the Muslim ban on January 27 in the name of national security, these labels and fears persist, so much so that the U.S. Citizenship and Immigration Services has removed “nation of immigrants” from its mission statement.

Despite this, Hoda Katebi offers a challenge to the everyday prejudices that Muslims encounter and a radical rejection to the idea that they must apologetically endure.

DJ Khaled’s 1-year-old son partners with Air Jordan to launch new collab

On February 15th, 1-year-old Asahd Khaled wobbled down the runway with his parents at the Rookie USA fashion show in Los Angeles to model his new collaboration with Jordan Kids.

Fittingly, the fashion show benefitted WE THE BEST Foundation, DJ Khaled’s charity organization, specifically the Asahd Initiative for underprivileged children.

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The son of record producer and label executive DJ Khaled and entrepreneur and artistic manager Nicole Tuck, Asahd Khaled is the definition of “born with a silver spoon in your mouth.”

With a doting, superstar father, 1.8 million followers on Instagram, and connections in all the right places, little Asahd is already making plays that put some lifelong careers to shame.

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His collection consists of various T-shirts and hoodies, which feature the iconic Air Jordan Jumpman logo and print such as “Asahd,” “Legend,” and “Born Blessed.” The products are available for purchase online at Kids’ Foot Locker, as well as at the Rookie pop-up shop in downtown L.A.

It seems we can expect more to come (“Another one!”) because several items that have appeared in lookbooks, including the tracksuits that DJ Khaled rocked down the runway, are not yet available.

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DJ Khaled is thrilled that his son is working with Air Jordan as its youngest collaborator. In an extravagant sneaker closet tour with Complex (which included Asahd’s own luxurious box of Jordans, Gucci, and more), DJ Khaled said

“I worked almost five years to collaborate with Jordan…I’m part of the Team Jordan family now…always been…but it’s official. You’re gonna see a lot of great things we’re gonna do together.”

When Asahd locked in a deal with footwear and athletic apparel brand, DJ Khaled posted on the We the Best Music Group YouTube channel, expressing his pride and encouraging his son to do the “daddy dance” as they worked with Jordan’s designers.

The collaboration is one more thing to add to Asahd’s hefty baby resume. Even if he’s still unable to articulate full sentences, Asahd is already living up to his name (“lion” in Arabic).

Asahd is listed as an executive producer on the platinum DJ Khaled album Grateful and is featured on the album cover. In a behind-the-scenes video on the production of the “Wild Thoughts” music video, Rihanna herself expressed her adulation for Khaled’s son, “Asahd, you’re a legend already! We’re on your album, buddy!”

DJ Khaled is making sure to position his son as more than just a child star but a mogul to continue his legacy.

Asahd has also appeared on the cover of Paper Magazine and made various appearances at celebrity events; he rocked a matching burgundy tuxedo with his dad at the 2018 Grammy Awards and a matching blue Gucci suit with Gucci Mane at the 2017 BET Awards.

In addition, he had an extraordinary first birthday party in Miami, which included appearances from Diddy and gifts such as a $100k jewel-encrusted watch.

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DJ Khaled, who is known for his motivational quotes, is willing to spare no expense to lavish his son with affection and opportunity. Ever since the birth of Asahd on October 23, 2016, the mogul has gushed about fatherhood.

In an interview with Kelly and Ryan (Asahd’s “first interview”), DJ Khaled said that Asahd is “like my best friend, my son, and for me, he’s like a prophet.” At the 2017 BET Awards, he told Entertainment Tonight that his son is his “biggest joy in my life, the realest love…the biggest blessing.”

Asahd is the namesake of Grateful, and DJ Khaled credits his son as one of his “keys” to success. DJ Khaled told Complex that “I got Asahd now. Things is just different. The music was always big. Now it’s bigger.”

The devoted dad also credits Asahd with helping him overcome his twelve-year-long fear of flight in order to ride a jet.

Whether or not the credit and glamor are deserved, Asahd Khaled is riding “through the journey of more success,” “blessed up” by his daddy.

Lil Wayne drops a surprising, but very fly, collab with Neiman Marcus

Rapper Lil Wayne has personally pulled up at the Beverly Hills Neiman Marcus to promote the drop of his exclusive apparel collection, which launched February 16.

Lil Wayne announced the collaboration on his Twitter and has continued to promote the line. Neiman Marcus also plugged the apparel launch through their social media.

Available for sale at the Beverly Hills Neiman Marcus and online, The Young Money line consists of T-shirts, jackets, a hoodie, a pair of pants, and a hat.

“Young Money” is emblazoned on each article of clothing in clear, bold type, repping the record label which Lil Wayne founded in 2005 with artists include Drake, Tyga, and Nicki Minaj.

The brand takes center stage in the design, as the apparel is otherwise clean, crisp, and plain, aligning with Wayne’s modern streetwear style.

The new launch departs from the style of Lil Wayne’s previous forays into fashion. Trukfit, a brand he launched about 6 years ago, centered more on a skater aesthetic.

Trukfit appealed to a younger crowd and featured BAPE-like graphics.

In addition, Lil Wayne has previously collaborated with California footwear brand Supra to create the Chimera shoes, which featured (among other color options) neon, cheetah print, and giraffe print.

The new collection’s stark simplicity contrasts with the rapper’s past style. Lil Wayne is the man who popularized the phrase “bling bling” back in the day.

And considering that he wore leopard print jeggings to the 2011 VMAs and a pink camo hoodie on the cover of Vibe, this Young Money collection is noticeably more subdued and wearable.

The minimalistic approach may appeal more to Neiman Marcus consumers, but the line is reasonably affordable considering the usual pricing at the luxury department store.

Despite the fact it’s being sold at the same high-end retailer that offers items like a $19,500 fur and cashmere blanket, The Young Money capsule collection is relatively accessible, ranging from $55 to $140.

Through working with Lil Wayne, a powerful force in hip-hop, Neiman Marcus expands its market, appealing to old and new customers.

Despite the subtle design, the line intends to be memorable. “Young Money is in every youthful person,” creative director Mike Morris told the Los Angeles Times.

“It really is about believing in yourself, and it’s about having a drive, having a passion, self-motivated, tying up the shoelaces and getting out there and making your way from nothing. That’s pretty true to who Wayne is and his character.”

Similarly, on the Neiman Marcus website, the product description expresses that “Young Money Merch is for individuals who want to stand out and whole-heartedly express themselves.

The brand supports those who are unrestricted by their originality and live to collaborate and create.”

It’s undeniable that Lil Wayne is an icon with a completely unique fashion style. In a 2012 interview for Vibe, he stated “I’m really fond of Marc Jacobs as a designer.

Everybody knows I love Polo. But as far as me being fixated on some person’s style, that just ain’t…nah. That just ain’t me.” He also shared that he “love[s] the opportunity” to create apparel which lets kids of any background “dress fly.”

Lil Wayne has been an influential figure to fans, but also top people in the music industry. Both Drake and Kendrick Lamar cite him as one of their leading inspirations. On Wayne’s 35th birthday, Drake posted about his reverence for Wayne’s mentorship and determination.

In an interview in Manchester for Coveteur, Kendrick also professed, “Yeah, man, we was heavy. That’s a real story like, we was just huge, still to this day, huge Lil Wayne fans. Lil Wayne is the greatest. Not only because of his music but also because of the culture he put behind it.”

A father of four and New Orleans native, Lil Wayne has been in the rap game since the early ‘90s and continues to stay relevant. His apparel launch comes at a busy time.

The second part of his mixtape Dedication 6: Reloaded recently dropped on January 26, he has a scheduled appearance at San Diego’s Parq Nightclub on February 18, and he is set to perform in Australia’s Jumanji Festival in March.

Meanwhile, on February 16, Apple Music released its documentary Before Anythang: The Cash Money Story.

The documentary explores the life of Cash Money Records founder Birdman, who Lil Wayne sued for $51 million in 2016 because of withheld money.

Now, with the release of the Young Money Merch capsule collection, we can all be “So Young Money.”

In the words of Chris Brown, “Look at me now.”

How ‘Black Panther’ brings Black Excellence to life unlike any other film

When it comes to hype, there’s nothing that can match a superhero movie — especially a Marvel superhero movie.

The Marvel Cinematic Universe, which continues to pump out massively successful films, has grossed more than $13.5 billion in profits, and offers a range of compelling, beloved characters such as Thor, Captain America, Guardians of the Galaxy, and Spiderman.

And with a star-studded cast, a fire soundtrack curated by Kendrick Lamar, and a budget which Marvel boss Kevin Feige says is “equal to and in fact surpass[es] our last couple of movies,” Black Panther is set to be yet another blockbuster sensation. Even before its release February 16, it’s set to break box-office records.

But the significance of Black Panther goes much deeper than box office numbers. It is an important moment for representation and Black excellence in both its storyline and production.

Black Panther is the alter-ego of T’Challa, the protector and chief of the many tribes of Wakanda. Although the outside world believes Wakanda to be a third-world country, it is in fact is a flourishing nation at the height of technological advances, which has, for its own safety, concealed its valuable resource vibranium from outsiders (vibranium is the same metal used in Captain America’s iconic shield).

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Black Panther is a force to be reckoned with; the phrase “brains and brawn” would be an understatement. Enhanced with the power of an herb that is poisonous to anyone outside the Wakanda royal bloodline, he possesses superhuman strength, stealth, stamina, and healing capabilities, along with improved sight, hearing, and tracking skills.

Then there’s his top-of-the-line suit and weapons. And (of course) his genius-level intellect and his riches and influence, which crush the likes of Batman and Iron Man.

The existence of Wakanda is, at its core, a commentary on and resistance against aggressive European imperialism and its exploitation of African people and resources.

As Deirdre Hollman, one of the founders of the annual Black Comic Book Festival at the Schomburg Center for Research in Black Culture in Harlem, said, “There’s so much power that’s drawn from the notion that there was a community, a nation that resisted colonization and infiltration and subjugation.”

These concepts play a key role in the central conflict of the film as Black Panther and his allies must face Ulysses Klaw, who wants to seize vibranium, and Erik Killmonger, a Wakanda native who wants to create a new world order.

The promotional trailer hints at these themes when, in a compelling, militant line, Killmonger remarks, “The world’s going to start over… I’ll burn it all!”

A Black Panther movie has been a long time coming. Created by Stan Lee and Jack Kirby, the Panther first appeared in Fantastic Four in 1966, predating the creation of the Black Panther organization.

Black Panther also predates another black Marvel Hero: Blade, the half-human, half-vampire vampire hunter who first appeared in 1973 in The Tomb of Dracula and later came to life in the 1998 film starring Wesley Snipes.

With the importance and following of Black Panther, Marvel sought out an excellent team to bring the heroic vision to life, including Oakland-born director Ryan Coogler (Fruitvale Station and Creed), Californian actors Chadwick Boseman (42 and Get On Up) as T’Challa/Black Panther, and Michael B. Jordan (Fruitvale Station and Fantastic Four) as Erik Killmonger, Academy Award-winning Kenyan-Mexican actress Lupita Nyong’o (12 Years a Slave and Star Wars: The Force Awakens) as Nakia, and Zimbabwean-American actress Danai Gurira (The Walking Dead and Mother of George) as Okoye.

In addition, costume designer Ruth E. Carter, who has worked on historical films like Selma, worked to create an amazing Afrofuturistic aesthetic. She explained her process in a Slate interview:

“[I] paid homage to the ancient African traditions that are disappearing…I looked at the Surma stick fighters and how the men draped the cloth around their bodies, and I was inspired by that. I looked at the Tuareg people and how they used the beautiful purples and gold and silver. And I looked at the Maasai warriors and infused that red color onto the Dora Milaje [the elite female fighters of Wakanda]”.

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Angela Basset, who plays Ramonda (T’Challa’s mother), joyfully remarked at the world premiere that the most special thing about this project was “just seeing all these beautiful, talented black people in one place, this black nation, coming together, technologically advanced, un-colonized with so much swag and brilliance.”

Recently, many people have voiced their personal enthusiasm and swelling emotion through #WhatBlackPantherMeansToMe.

Some state how important it is for kids to see themselves in their heroes to bolster their confidence, self-love, and dreams.

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For their part, kids are hyped. In a viral video, students from Ron Clark Academy celebrate when they are told they will attend a film screening of Black Panther as part of a Black History Month project.

And at a time when President Donald Trump remarks in the Oval Office that immigrants from “shithole” African countries should not be welcomed in our country, the Black Panther, the legacy of Wakanda, and the celebration of Black celebrities shows pride and might.

Chidera is the 23-year-old blogger making saggy boobs poppin’ again

All boobs are good boobs. Big or small, round or bell-shaped, perky or pendulous, a boob’s a boob…right?

For many women bombarded with Victoria Secret push-up ads, images of celebrities with plastic surgery, male-directed films and media, and rising pressure from social media to look perfect from any angle, it’s not so easy.

The natural tug of gravity can cause a sense of shame and self-loathing, but blogger Chidera Eggerue (a.k.a. The Slumflower) is smashing the negativity and encouraging other women to do the same.

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Chidera is by no means new to lending her social media platforms and her voice to causes she believes in. The previous creator of #BlockHimParty has been an outspoken and opinionated advocate of her core values (“Knowing Your Worth,” “Finding Your Peace,” and “Owning Your Beauty”) through her blog, Twitter, and Instagram to her more than 100k followers. Chidera, who hails from South-East London, has also spoken out on key issues like Black Lives Matter and the all-Caucasian Vogue editorial team.

She has made appearances in many world-famous news organizations such as CNN, BET, and i-D and has been named one of the rising, millennial, Black, female voices by various publications, including Elle and The Fader.

#SaggyBoobsMatter launched in July 2017, when Chidera posted a defiant declaration of her confidence. She confided that she hated her body as a teenager and stressed that women should not feel obligated to fit into beauty standards.

She wrote “First of all, women do not exist for the consumption of men. Biologically, our bodies are built for babies. Babies don’t care about how perky your boobs are; they just wanna be fed. Men aren’t and will never be in a position to tell women ‘how to be a woman’. Impressing men isn’t even a goal worth making.”

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In the same blog post, she remarked that, even today, people are astounded when she wears an outfit without a bra. She also expressed the need for more saggy boob representation, saying

“If I had seen women with saggy boobs being glorified for their beauty, I wouldn’t have developed a complex as a very young teanager…the more your image is normalized; the less of a spectacle your reflection is; the more comfortable you will be in your body…”

She ended the post with a call to action, to take inspiration and confidence in her bold, beautiful, braless photos.

Since her initial post, #SaggyBoobsMatter has spread across social media, encouraging other women to rock their own body confidence and flaunt their naturally-hanging breasts.

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The hashtag has gained recent popularity for women of all shapes and sizes, and Chidera has stated that she is thrilled to be the catalyst for body acceptance. In a BBC Radio interview, Chidera expressed,

“As a young woman, I started to hide my body and where these unnecessary push-up bras that would be uncomfortable for me just so that I could feel like I fit in and I look appealing…why I chose to do this is because there are other women who don’t yet have the strength in themselves…to love the parts you’ve been taught to dislike…to help other people reach that point.”

But not all reactions have been positive. Comments range the full scale of nastiness: from body-shaming to more personal attacks.

One notable remark is a malicious meme posted by Don Jazzy, a Nigerian record producer, who has since deleted and apologized for the post.

Although she is disappointed, Chidera chooses to take the negative reactions in stride. Having once considered a boob job, she believes that these comments come from a place of ignorance and insecurity.

She told Buzzfeed News,

“By force, we will all have to learn that the only way to normalise something is to see it repeatedly. So if you have an issue with saggy boobs, you have to ask yourself why a person’s body offends you.”

Many people continue to spurn and criticize bodies that fall outside of beauty standards. Often, they cite health concerns or biological and evolutionary predispositions as the root of their disgust.

For example, a 2017 scientific study from Prague’s Charles University suggests that men like firm, medium breasts and see droopiness as a sign of age and decreasing fertility.

Even controversial celebrity Kim Kardashian is not immune to body criticism. Last April, an uproar arose in the tabloids and online after photos of her in a bikini in Mexico showed cellulite on her backside.

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Still, it seems that the body positivity movement is gaining ground.

Brands like Aerie and CVS, who are taking stands to feature un-retouched images, and plus-size models like Ashley Graham, Olivia Campbell, and Tess Holliday are carving spaces in the fashion industry. More and more, we are seeing diverse bodies represented and celebrated.

The time when only perky, unblemished, and unwrinkled bodies were beautiful is drawing to a close. Now catch me rocking some serious Venus of Willendorf vibes.