Skip to content Skip to footer

How SNAP 2018 is your go-to resource for everything you need to know about voting

As a documentary film producer, Lise Zumwalt is always on the lookout for stories that could turn into potential projects. The story that caught her eye, however, was a big one; the state of democracy in the United States in the wake of 2016 election.

Narrowing her focus, Zumwalt wanted to create a project that could locate where American voters’ minds were at this historical moment.

I say historical moment, because if we take into consideration the recent IPCC report on climate change, the expansive income disparity and unequal distribution of wealth, the lack of access the majority of Americans have to health care, the issue of immigration, the uncertainty looming over women’s reproductive rights as well as LGBTQIA rights, I think we can certainly say there is a lot at stake.

Aware of this, Zumwalt created SNAP 2018; a resource site for voters and for those deliberating whether to make their way to the polls on November 6th.

 

View this post on Instagram

 

She’s an award-winning documentary producer having worked on over 50 documentaries for major television networks including NATIONAL GEOGRAPHIC, PBS, and NBC to name a few. Lise is currently involved in two major projects; she’s the creator and executive producer for “Snap2018” launching this week, your “go to” for the midterm elections and she’s a partner on “A BAND OF VOTERS”  a get out the vote effort for Millennials for the 2018 midterm elections! Featuring Lise on Freshmes is a no brainer and we are damn proud of it. If you want to see experience -she’s got it; credibility -she’s got it; talent -well that’s pretty evident. On Freshmes, one of the many great things Lise will be able to explore is the ability for her to monetize her projects through a unique distribution platform, yep… Freshmes! 😉👍 In the meantime, check out all her current projects; snap2018.com @witdoc_projex (link in her bio) and @abandofvoters for more info! . . . Photo Credit: James Hercule @lereefdesigns Makeup: Marilynn Elie @marilynneliebeaute #freshmes #freshmesfeature #masterthejuggle #nycfilms #indiefilms #documentaryfilms #nycproducers #nyc #losangeles #filmmakers #womenproducers #womeninmedia #abandofvoters #snap2018 #awardwinningfilmmaker

A post shared by Freshmes (@freshmes) on

In speaking to KultureHub, Zumwalt noted that while we have access to an unprecedented amount of information, via our devices, it is hard to sieve through the bombardment of information disseminated from mainstream media outlets and the raging 24-hour news cycle. Importantly, as Zumwalt asserts,

“We want to know what all that information means.”

Zumwalt wanted SNAP to be highly accessible and intelligible. A site that clearly lays out information on voting patterns and trends for those interested, politically inclined, or who want to (re)enact their civic right to vote.

The site collects and synthesizes data from research conducted across the nation, revealing who votes and who doesn’t, and crucially, who cannot vote because of the institutional obstructions of voter suppression and gerrymandering.

SNAP 2018 is also invested in spotlighting the voting opinions of individuals who occupy different parts of the political spectrum in order to explore the importance of participating in the democratic process.

The site even contains an interactive element. Visitors to the site have the option of participating in polls that are framed by questions like what they consider to be their deal breaker issues, why they think people don’t vote and the consequences for this inaction, whether they think the party they identify with truly represents their interests and more.

SNAP 2018

With millennials occupying the biggest voting block in the country, Zumwalt was eager to get out there and talk the generation that could have a major impact on the results on November 6.

When asking Zumwalt what she found to be a recurrent theme amongst the individual Republican voters she interviewed, she recounted that they all favored the administration’s current tax cuts, the state of the national economy and supported a strong stance on foreign policy.

In regards to the individual Democratic voters she interviewed, Zumwalt stated that many were concerned about civil rights, the economy, gun control, and healthcare. She conveyed that while other issues were discussed in the interview, the common thread amongst the Democrats voters was,

“a pointed rejection of the current administration — having a wrong agenda, wrong tone.”

The research and data specifically cite millennial women as the group able to swing the election. In speaking to KultureHub, Zumwalt relayed what she found notable in her interviews with millennial women, stating,

“Their grasp of the issues is impressive and despite corruption in the system, they remain optimistic about using the system for change.”

Additionally, many align with the notion of being ‘fiscally conservative and socially liberal.’ She also described how millennial women generally do not identify with the Republican and the Democratic party and instead, largely consider themselves to be Independents.

Speaking of Independents, SNAP’s research shows that they are actually the biggest voting group and thus debunks the common conception of Independents as being a minority voting group. In discussing independent voters in our interview, Zumwalt declared,

“They’re the wild card in voter turnout.”

Yet, with 45% of voters not voting in 2016, Zumwalt was committed to investigating why, as well as discovering what non-voters views are on the democratic process.

The individual interviews revealed the primary reason for not-voting was due to their dislike for the 2016 candidates, Donald Trump and Hillary Clinton. While some are choosing to not vote, in contrast, there are more first-time candidates running for office than ever.

As Zumwalt notes,

“We have a much more diverse group of candidates on the Democratic side – people who are scientists, doctors, run non-profits, are trans, bi, are sexual assault survivors, etc. This is a big change — and the fact that so many people with no political experience jumped in indicates that a huge number of people feel that the parties have failed to represent them.”

Since Congress is largely made up of white older men with backgrounds in law and business, the insurgence of first-time candidates is indicative of a move to have a creating political site that is more inclusive and representative of the populous.

A notion that corresponds to Michigan candidate Laurie Pohutsky’s (D), reasoning for running for Congress for the first time, asserting to Zumwalt in her interview with her that,

“I thought if you don’t see someone that looks like you, be that person.”

Lise Zumwalt is an award-winning documentary producer who has worked on over 50 documentaries for major television networks including NATIONAL GEOGRAPHIC, PBS, and NBC to name a few.

She is the founder of Witness Documentary Films, a New York-based production company. Lise is currently involved in another project called, “A BAND OF VOTERS” a call to Millennials to get out an vote for the 2018 midterm elections.

How to not ruin your life if you win the $1.6 billion lotto jackpot

“You gotta be in it to win it,” is the saying that is always tied to the announcements of upcoming lottery prizes.

The latest Mega Millions lottery has reached the mind-blowing record of $1.6 billion. But if you miss out on entering that, you could always settle and take your chances to win the upcoming Powerball lottery of $620 million.

Excited Looney Tunes GIF - Find & Share on GIPHY

Before your pupils dilate, turn cartoon-like, transform into dollar signs and you start dreaming up of all the things you would buy if you had that kind of cash, do a quick google search on past lottery winners. You’ll find that their experiences are far from glamorous.

Rather, their stories serve as stark cautionary tales, with winners later ultimately filing for bankruptcy, being taken advantage and receiving misguided advice by financial planners and of course, developing an overall lack of trust in people.

Take note from Evan Sparks, a business journalist and vice-president for publications for the American Bankers Association, whose recent Twitter thread discussed the implications that come with winning the lottery.

https://twitter.com/EvanSparks/status/1053992079184011264

https://twitter.com/EvanSparks/status/1053993008243400704

https://twitter.com/EvanSparks/status/1053993322757398528

The Times article that Sparks cites in his post is composed of a series of personal accounts from previous lottery winners who discuss their experiences after winning the lottery and the bleak consequences that have their winnings.

Many referenced a dramatic change to their familial relationships and friendships, while others discussed the struggles in dealing with feelings of anxiety that had developed as a result of the way they were newly treated and perceived by others.

https://twitter.com/EvanSparks/status/1053993724278136833

https://twitter.com/EvanSparks/status/1053994153418330112

https://twitter.com/EvanSparks/status/1053994805771059200

https://twitter.com/EvanSparks/status/1053995389899231232

https://twitter.com/EvanSparks/status/1053996347651747844

https://twitter.com/EvanSparks/status/1053996660618153984

https://twitter.com/EvanSparks/status/1053997526184026117

https://twitter.com/EvanSparks/status/1053997850806439936

https://twitter.com/EvanSparks/status/1053998186212274176

https://twitter.com/EvanSparks/status/1053998851080765440

https://twitter.com/EvanSparks/status/1053999142031314944

https://twitter.com/EvanSparks/status/1053999510760906752

Sparks’s thread gained a lot of responses and attention. Sparks himself couldn’t have anticipated that his tongue-in-cheek step-by-step guide would cause such a stir.

Nonetheless, his message is important given that we live and operate in a culture where the number in our bank account is the ultimate metric of our own happiness.

https://twitter.com/EvanSparks/status/1054124604577513473

https://twitter.com/EvanSparks/status/1054124605420564481

https://twitter.com/EvanSparks/status/1054124607119212544

https://twitter.com/EvanSparks/status/1054124608125853696

https://twitter.com/EvanSparks/status/1054124608926990336

In short, money doesn’t buy happiness y’all.

Director Lisa France talks grueling process of shooting her doc ‘Roll With Me’

One day, director Lisa France received an email from the Alliance of Women Directors (AWD), about Gabriel Cordell; a paraplegic and recovering addict who was going to attempt to push himself on a standard wheelchair across the U.S. The posting detailed that Cordell was seeking a film crew to document the monumental, world record-breaking journey.

Having always been attracted to pioneering stories and personalities, France reached out to Cordell, initially joining the project as a keen observer, eager to see if Cordell could pull off this awe-inspiring expedition. In speaking to Kulture Hub, she noted,

“I love having an opportunity to shine the light on the impossible until it becomes possible. A pioneer creates a space for people to believe they can do anything.”

While Cordell’s goal was clear, he still needed a crew. Oh, and money.

France’s role as an enthusiastic spectator switched drastically into becoming a logistics manager and relentlessly trying to find ways to fund Cordell’s journey.

Through a Kickstarter campaign, the project managed to attain funds from 435 individual backers. In addition, the project received outside sponsorships from Kinecta Federal Credit Union, West Coast Chill (an energy drink company) and a spine doctor Alan Moelleken practicing in Santa Barbara, California. 

With enough funds raised, Cordell could finally start his journey, or so, France thought.

Roll With Me

The subsequent addition of Cordell’s nephew Christopher on the trip, who had just gotten out of rehab for heroin, was a plot twist that made France anticipate what was in store for them. With others following suit and volunteering to join Cordell’s journey, a unique squad assembled. France ran through the roster,

“A Guatemalan marine vet with PTSD, a homeless guy with Asperger’s, a recovering drug addict and cocaine fiend who lost everything, a gangbanger drug addict Palestinian Catholic, a career-smoker paraplegic with arthritis and recovering drug addict, and me, the lesbian. I mean, what could possibly go wrong?”

With an unimaginable sampling of individuals, who represent some of the most marginalized communities and identities in society, France knew that she was in for a wild ride. This motley crew, however, became her film crew and finally allowed the filming to commence.

With the other team members having no experience operating a camera and France not being a camera operator herself, admittedly, mistakes were made along the way.

As a result, there is a gritty and raw tone that rolls throughout the film and at the same time, is also punctuated by stunning shots that France was able to capture on their travels.

In speaking to Kulture Hub, France expressed that her primary focus was getting this group of people from point A to point B safely, emphasizing that filmmaking came to be secondary on this project.

Roll With Me

Absent of any safety gear and with no members of the team having any experience caring for a paraplegic who had never undergone a physical task on a comparable scale, there was a lot to be concerned about.

Evidently, Cordell’s physical endurance was tested.

Cordell’s condition as a paraplegic leaves him unable to feel anything from the chest down. He has no balance. Therefore, any forward movement and traction in the wheelchair derive exclusively from Cordell using his arm strength. Yet, just as much as his physical strength was to be tested so was his psychological and emotional stamina.

Consequently, France encountered the common conflict most documentary filmmakers experience in production, the dilemma of filming your subject when they are in pain or suffering in some way. In our interview, France recounted,  

“There were times where I was shooting and have tears streaming down my face and it was very hard to continue rolling. There was a time when Gabe’s shoulder started to have major problems when he was rolling and he was screaming out in pain. Just thinking of it now makes me sad. It was horrible, horrible to shoot that.”

 

View this post on Instagram

 

#rollwithme #spreadtheword Follow us on twitter @rollwithmeusa !!

A post shared by rollwithmeusa (@rollwithmeusa) on Apr 2, 2013 at 4:44pm PDT

France did however set up boundaries between the documentary participants in pre-production and made it clear to every one of them that they didn’t have to answer every question. Plus, she would respect their requests if they didn’t want something filmed.

Nonetheless, France expressed to them, 

 “The more honest they could be with their feelings, with whatever the trip was bringing up for them, whatever they were learning along the way, however, they feel they were growing or not growing…If they shared it and were willing to talk about what was going on there would be a greater opportunity to help others…”

On its surface, Roll with Me is a story about a man who is trying to push his standard wheelchair across the U.S., overcoming 3100 miles, 70 thousand feet of elevation (to put that into perspective, that is Mt. Everest x2), in the timeline of 100 days. It is an incredibly admirable story and achievement, and yet, Roll With Me still manages to go beyond the inspiring Rocky-esque narrative. 

Roll With Me evolves into a story about Gabe and Christopher’s relationship, but more specifically, the story of Gabe ultimately shepherding Christopher to sobriety. Gabe is no stranger to the struggles of addiction and credits the YMCA for having an instrumental role in his recovery.

Roll With Me

Through the group’s journey across 13 U.S. states, there is a theme of unity and acceptance that runs throughout the film. France recounted to Kulture Hub that it was also a theme that translated across the group’s experience when filming the documentary.

She disclosed how during the group’s time on the road, police, and passers-by continually checked in on the group, as they would encounter the sight of Cordell daringly pushing himself along the highway. She relayed the generous hospitality that was provided to them by churches, local businesses and the several Native American tribes they met along the way.

Amidst the context of a highly divided political climate in the United States and across the world, France stressed the importance of a more hopeful and unifying message and revealed how these occurrences of generosity were one of the many things so moving and rewarding about the project.

Despite so much difference and variance in culture, ability (physical and mental), sexuality and gender between every one of the documentary participants, Roll With Me powerfully exhibits the unity between a group of people who have nothing in common, except their humanity.

 

View this post on Instagram

 

The #RollWithMe crew! We r on a 75 day journey together! #inspire #teamwork

A post shared by rollwithmeusa (@rollwithmeusa) on Apr 2, 2013 at 4:49pm PDT

In terms of what she hopes audiences take out of the film, France said,

“I hope that when people watch the film they feel inspired take on something they may have thought was impossible for them.”

France also shared with Kulture Hub her advice to aspiring filmmakers and documentarians, maintaining the importance of being open to where the film will take you thematically. She asserted,

“Don’t get stuck on what you think it should it be. Be open to what it can be. Storytelling is storytelling. Be a good storyteller before you even shoot a frame of the documentary. If you have a really good story, you can shoot on polaroids if you have a good story to tell.”

Roll with Me is France’s first documentary. It is also one of the latest projects to be picked up by Ava DuVernay’s company, Array ReleasingThe documentary is set for theatrical release in Nov. and will also premiere on Netflix Dec. 1st.

Do memes really make you happy or low key depressed? An investigation

As a recent college graduate, I can easily recall the days leading up to and during the final exam period when my Facebook feed would transform into a ceaseless stream of memes.

Whether people went on Facebook during their self-awarded study breaks or to simply procrastinate, my student peers (myself included), would tag each other in posts that depicted the struggle of being a sleep-deprived, over-whelmed, over-stressed, and over-caffeinated student.

https://www.facebook.com/StudentProblems/videos/551561771968887/UzpfSTMxMzIyNzA0MjEzNzM2OToyNTg3OTUwOTk3OTk4Mjg0/

It was a way to communicate that we were all in the same boat — scrambling to write up six essays, a lab report and study for three exams in the timeline of five days — a set of circumstances that caused each of us to momentarily weigh up the pros and cons of dropping out of school, and prompted a level of uncertainty over whether we could make it through the week without having a mental breakdown.

If reading this was at all relatable, this exaggerated rhetoric is emblematic of a larger phenomenon on social media; the meme.

Memes are a kind of digital canvas that (re)use images and videos to parody and satirize feelings and attitudes that characterize every day, and/or arise in certain situations.

Little Girl Reaction GIF - Find & Share on GIPHY

I know that description is vague. But the array of topics that memes cover ultimately accounts for my generalized definition, while also their continual presence online.

I mean, there are meme pages dedicated to focusing on existential angst and nihilism.

There are memes with content orientated around the perils and absurdity that come with working in retail and hospitality, and the inevitable encounters with members of the public.

There are memes that explore the weekly internal standoff between your knowledge of how much is your bank account and the invitation of going out for drinks, dinner or clubbing with your friends on the weekend.

Memes also have their own life cycles. There is even a classification for memes that are considered ‘dead’ or are so overused that they are now empty of any comedic value.

Nonetheless, the fact of the matter is, memes remain visible on every major social media platform and Millennials and Generation Z are still constantly laughing at, and sharing memes.

But, why? Well, memes are highly accessible, intelligible and shareable.

Meme Why You Always Lying GIF - Find & Share on GIPHY

Interestingly, the term ‘meme’ comes from the Greek word ‘mimeme’, meaning “something which is imitated.” The term was later employed in the world of academia by renowned evolutionary biologist and scholar, Richard Dawkins in his book, The Selfish Gene, that was published in 1976.

Dawkin’s coined the term, ‘meme’ as part of his intellectual project of investigating the cultural transmission of human ideas and behaviors as comparable, from an evolutionary standpoint, to the transmission of genes. In other words, Dawkins was evaluating and speculating why some ideas and behaviors survive and others don’t, in the same way, some genes survive and others don’t.

Will Smith Reaction GIF - Find & Share on GIPHY

Yet, no one could anticipate that his use of the term ‘meme’ would manifest into the phenomenon it is now.

His comparison, however, is notable given that the way we classify something trending online is by describing it as going “viral.” And when you think about it, a meme only becomes a meme once it is so widespread and is continually shared. I mean, if the image doesn’t spread like some sort of online contagion, it would simply be a funny image you created on Memegenerator.com and share between a network of friends and followers.

It’s funny how we employ scientific language when discussing things that are embedded in culture, human relations, and behaviors, simply because it is mediated and delivered via communicative technologies.

Yet, despite the interconnectedness that the internet provides, our experiences online are fundamentally spatial and relational.

I have heard a saying thrown around recently that “technology has allowed us to be more connected than ever, yet we have never felt more alone”?

Vine GIF - Find & Share on GIPHY

That is one of the many fascinating things that have come with evaluating meme culture, as memes, like most things related to technology, have its benefits and its costs.

On the one hand, memes use humor and irony to connect online users and friends to each other. Memes often use self-deprecating humor in which we make fun of ourselves and/or the situations we find ourselves in.

By sharing content that is highly relatable, people feel that they are not alone in whatever they are experiencing.

At the same time, memes that connect people to one another often address and tap into feelings of anxiety, our insecurities, low-self esteem and are topics that are not simply popular, but rather when considered more thoughtfully, are issues that are troublingly characteristic of younger generations.

In fact, a survey published by the American Psychiatry Association found that millennials are the most anxious generation in comparison history. Women reported higher in suffering from anxiety disorders than men, and people of color scored 11 points higher on the anxiety scale than Caucasians.

Though its deliver is often exaggerated and often taps into the absurd, memes are highly consumable because they probe into shared feelings that crucially, are underlying.

In other words, memes reveal something about ourselves we do not want to express openly and vocally in conversation.

At the same time, because of the very fact this online interaction is delivered from a distance, it inadvertently fosters a dialogue on mental health and sense of community between people.

Salt Bae Steak GIF - Find & Share on GIPHY

Plus, as the advent of social media has developed a culture in which we seek to perfectly curate our lives and present a version of ourselves and our lives through filters, memes serve as a radical counter to this superficial way of engaging online.

Instead, via irony, satire, and exaggeration, some memes elevate and advocate for a level of authenticity by highlighting the common and not so glamorous characteristics that make up our common humanity.

Memes have also contributed to the formulation of social identities and communities on social media. In recent times, memes have been a source of comfort and a way to foster community and solidarity amongst marginalized groups, which has become particularly visible with life under the current administration.

So, what do we take away from this?

Tv Land Meme GIF by YoungerTV - Find & Share on GIPHY

Memes are a vehicle to understand ourselves and to relate to others.

Yet, like most things to do with technology and social media, memes come with their own pros and cons and are ultimately a part of the endless discussion on the implications that come with our engagements with technology.

In short, keep scrolling through your Facebook and IG feeds to have a laugh at the memes that are sure to pop up on your devices.

But remember to have those important conversations your friend’s (and your own) well-being in person, because not every interaction and conversation has to happen online.

How Ilana Glazer’s Generator Collective combines storytelling with activism

When Ilana Glazer isn’t desperately trying to navigate life in NYC and get out of the absurd situations she and co-star Abbi Jacobson get caught up in their hit comedy series Broad City, Glazer is a bad-ass activist.

Early this summer, the actress, writer, director, and showrunner combined her passion for storytelling with her activism.

Glazer, along with Ruby Anaya and Glennis Meagher, co-founded The Generator Collective; a social media platform that allows people to submit a 90-second video on how government policy affects their lives.

After having endless conversations on the state of the nation in the wake of the 2016 election, Glazer felt galvanized to use her platform and celebrity status to create a project that she hopes will inspire people to (re)engage in the democratic process.

The Generator Collective attempts to humanize government policy by sharing stories of everyday people in order to elucidate how these policies directly impact and shape their day-to-day lives. Glazer identified how social issues particularly resonate with her when she is exposed to someone’s personal story.

With government policies embedded in legal jargon and media coverage often dry and impersonal, each of the founders wanted to transform the discourse on policy into something more accessible, shareable and with a focus on the quotidian, in order to connect us to our common humanity.

The Generator Collective also seeks to challenge the way we have been socialized to shy away from discussing politics, ideologies, and worldviews, whether these views align or disagree with our own.

Glazer points out the implications that come with normalizing etiquette practices when it’s time to have politicized conversations. In an interview with The Drum, Glazer asserted,

“We don’t even know how to talk to people on different sides, or even from the same one, or same faction within that side.”

In the promotional video for The Generator Collective, Glazer foregrounds the reasoning behind launching the project,

“We really believe that hearing each other not despite our different beliefs, but because of our different beliefs is integral in protecting our democracy.”

The video submissions are posted on The Generator Collective’s website and IG account. They consist of stories from a range of diverse people regarding age, race, gender, sexuality, neighborhood, and jobs.

The guidelines for the video are listed below, with the video submissions simply having to state:

1. Name, age, background and what you do for a living?

2. Where are you from and where you currently live?

3. What do you love and what are you into?

4. What issue made you want to create a video today and how does this issue impact you?

Though Glazer disclosed in an interview with The Drum that she hasn’t been as consistently political active as she is right now, she nonetheless is the first to admit that she is constantly learning and informing herself.

Her social media accounts are both entertaining and didactic.

On her Instagram account, Glazer continually encourages people to register to vote, is a vocal supporter of the #MeToo movement, and an advocate for DACA rights.

Glazer’s continual engagement with politics is admirable since the celebrity is using her platform to raise consciousness amongst her 1 million followers.

Ilana will be hosting a four-part series event, titled The Generator Series, from Oct. 28 to Nov. 1 at the Murmrr Theater in Brooklyn.

The event will feature Glazer, along with other activists and interviews with political analysts and local politicians in the attempt to get people to make their way to the polls on Nov. 6th.

The New York LGBT Film Festival celebrates its 30th anniversary

For 30 years, the New York LGBT Film Festival (aka NewFest) has provided an important platform for queer storytelling. In partnership with Outfest and presented by HBO, the New York LGBT Film Festival makes its annual return on October 24-30.

Taking place over 7 days, the festival will include a series of panel discussions and Q&A’s, as well as an opening and closing night Gala, that will bring together filmmakers, film enthusiasts, and the thriving artistic communities that constitute New York City’s vibrant cultural scene.

The festival kicks off on Wednesday, October 24th with an Opening Gala that will showcase director Yen Ten’s powerful period piece, 1985.

Set against the backdrop of the AIDS crisis and shot in black and white super 16 mm, Yen delivers a beautifully textured piece that explores the story and struggles of a closeted man who returns home to his family for the holidays.

 

View this post on Instagram

 

A post, while in post. Shaping 36 terabytes worth of 4K scans from @cinelabboston into an actual movie.

A post shared by 1985 (@1985thefilm) on

The festival’s U.S. Centerpiece is the film Boy Erased, directed by Australian actor Joel Edgerton, whose cast includes fellow Australian starry names Russell Crowe and Nicole Kidman.

Boy Erased follows the harrowing story of a teenage boy (Lucas Hedges), who is sent to a gay conversion therapy camp after being outed to his parents.

The festival’s international centerpiece is the film, Rafiki. Running on the back of its Cannes premiere, Rafiki is a resonant and nuanced depiction of queer love between two young women in Nairobi, Kenya.

Laden with pink hues, the films color palette adheres to the African film aesthetic known as the Afrobubblegum movement. Judging by the visuals below, it is certainly a must-see on the big screen!

 

View this post on Instagram

 

The first Kenyan feature film to premiere at Cannes!!! Congratulations to the cast and crew. #AKenyanFirst #RafikiMovie #cannes2018

A post shared by RAFIKI (@rafiki_movie) on

Featuring over 140 films in the form of narratives, documentaries, episodics, and shorts, the LGBT film festival spotlights an array of stories to explore, support and empower the LGBTQ experience. The festival exhibits movies from around the world, from both emerging and established filmmakers.

With such a range in content, these films show the important intersection of queerness with other social identities (race, class, gender, ability, religion and ethnicity), providing crucial visibility to marginalized communities and identities.

Some other notable films in the NewFest program are Eva + Candela (Colombia), Solace (USA), Devil’s Path (USA), Daddy (USA), For Izzy (USA), “I Hate New York (Spain), Skin of the Teeth (USA) and Two in the Bush (USA).

The festival offers the exciting opportunity to meet and connect with fellow film enthusiasts, build community and fosters thoughtful and critical discussions on the stories shared.

Be sure to grab yourself some tickets for this awesome event that celebrates the full spectrum of LGBTQ stories on screen!

Meet the woman behind Dwayne ‘The Rock’ Johnson: Dany Garcia

Training and gaining pounds of muscle are not the only reasons Dwayne ‘The Rock’ Johnson has reached the stature of a heroic Greek god.

From his WWE wrestling days to his transition as a leading man in the film, there has been a woman right alongside him, responsible for his transformation into a global powerhouse.

Cue, Dany Garcia, the ex-wife of Dwayne ‘The Rock’ Johnson.

Though the two divorced in 2008, Garcia and Johnson have remained a team. Upon Johnson’s request, Garcia made the incredible move to manage The Rock’s career while continuing to raise their daughter, Simone, together.

Fast forward 8 years and Johnson became Hollywood’s highest paid actor in 2016.

Running parallel to Johnson’s success, Garcia founded and became the CEO of the media management firm Garcia Companies, in addition to co-founding the production company Seven Bucks Productions (that along with Johnson, represents stars such as Henry Cavill and Idris Elba).

What resulted was Garcia becoming a major media mogul in Hollywood.

 

View this post on Instagram

 

I enjoy this shot of our artfully tousled hair. @elardy @sevenbucksds @mrolympiallc @philipmmacias photography

A post shared by Dany Garcia (@danygarciaco) on

Garcia met Johnson during her undergraduate days at the University of Miami where she majored in international marketing and finance. She has been right alongside Johnson, supporting him through his multiple career transitions, from an aspiring professional football player, to star wrestler, and now actor/mogul.

In an interview with Marie Claire, Garcia relayed her numerous experiences in talking to agents and attorneys on behalf of Johnson, utilizing her educational background every step of the way to provide crucial financial guidance for The Rock.

While DJ is a huge presence, it is clear that Garcia has never been afraid to level up.  After college, Garcia built and established a successful career in the private sector where she rose to the title of Vice President at Merrill Lynch.

When Johnson made the move into acting and asked Garcia to join him, her skill set from the world of business and finance was highly translatable to Hollywood.

 

View this post on Instagram

 

So tasty, what’s your secret sauce? #flexfriday #secretsauce

A post shared by Dany Garcia (@danygarciaco) on

In the interview with Marie Claire, Garcia, however, recounted Johnson’s struggle in trying to navigate the roles that were offered to him. Garcia supported Johnson’s decision to no longer undergo dramatic physical transformations in order to fit into film roles, which he viewed as a compromise of who he was. She said to DJ,

“Let’s make Hollywood make room for you.”

And Hollywood has certainly made room for Dwayne Johnson. The Rock has led action blockbusters that have smashed box-office opening weekend records.

Garcia was always and continues to be inclined to look at every project through a business lens. She attributes The Rock’s success to adhering to the principle of every project and film having to align with the Dwayne Johnson enterprise.

Already having a wrestling fanbase, The Rock continues to expand his audience. From joining franchises such as Fast and the Furious, saving the state of California in San Andreas, to showcasing his charming, soft and comedic side in films like The Game Plan and The Tooth Fairy, and the recent remaking of Baywatch and Jumanji, The Rock has created a huge audience following.

Garcia emphasizes that these remakes do not simply reboot or tell the same story as their predecessors. Rather, she reassesses these films and imagines ways to continue the story and speculate what can be achieved through the new developments and advances in film technology.

Garcia has always been an innovator. Speaking to Marie Claire, Garcia notes how her upbringing instilled a drive in her to be successful and an insatiable commitment to take care of her family and others.

“My family came to America from Cuba: My mom came when she was 16 and my dad, he had to flee Cuba when he was 14, so he didn’t even finish high school. They met really young. They worked through school, but obviously, times were very, very tight for us. When I was younger, I always remember thinking, ‘I’m going to be a millionaire. I’m going to take care of them.’ I think that’s a great simplistic approach, and it drove me.”

With the family happy and taken care of financially, Garcia wants to extend this principle by choosing a type of storytelling that is far-reaching, she asserts,

“It has to have scope and size. If it doesn’t have scope and size—if it’s not going to impact people and make them happy, have global reach, move the needle—we won’t do it. We’re here for a short time. We try to do projects that are as big, as important, and as impactful as possible.”

Garcia’s media empire ultimately continues to expand and  Johnson and Garcia continue to collaborate. Seven Bucks have announced that they are partnering with Studio 71 to launch The Rock YouTube channel and are developing several series that will be produced by the company’s digital branch, Seven Bucks Digital Studios.

Meet the 10 women filmmakers selected for Tribeca’s Through Her Lens program

Since its founding in 2002, the Tribeca Film Festival has committed itself to showcasing independent films and providing a platform for up and coming filmmakers.

This year, the festival is making an effort to close the gender gap within the film industry and provide more opportunities for women directors, producers, and writers. Proving it,  Tribeca Film Institute has teamed up with Chanel, in collaboration with Pulse Films, to relaunch the annual program that spotlights ten emerging female filmmakers.

The program is called, Through Her Lens: The Tribeca Chanel Women’s Filmmaker ProgramThrough Her Lens, offers extensive support and guidance for the program’s participants through master classes, one-on-one mentorship, peer sessions, and script-to-screen development.

It is a comprehensive program that offers the selected filmmakers the opportunity to collaborate with composers, costume designers, writers, cinematographers and receive key guidance from industry experts.

Serving on the team of mentors include star names such as Academy Award-winning director Kathryn Bigelow (The Hurt Locker, Strange Days) as well as producer, director and actress Courtney Cox (Friends). In addition, the programs jurors include big-name actresses such as Dianna Argon and Cara Delevigne, with several other well-established women in the industry attached to the project.

At the end of the program, each filmmaker will pitch their short film project to a jury. One filmmaker will be awarded complete funding and financing to produce their short film via the support of Tribeca Studios. The other nine filmmakers of the program will be awarded grants to help them continue to develop their projects.

Here is a list of the talented artists and creatives below:

Kylah Benes-Trapp

 

View this post on Instagram

 

🌿🔮@loftybliss

A post shared by kylah (@ameriky) on

Although new to filmmaking, Benes-Trapp’s impressive background in visual art has equipped her with the ability to work with the mediums of photography, collage animation, and illustration to explore her interests in femininity, self-expression, nostalgia, and identity.

Originally from Santa Cruz, California, Trapp is currently based in New York. She is a graphic designer and currently serves as the content director for the art collective, Slug Agency. Check out her site to see more of her work!


Francesca Mirabella

 

View this post on Instagram

 

Did you know, it’s Pisces season… 📷 @chakrakahn82

A post shared by Francesca Mirabella (@fmirabella) on

As a writer, actress, and filmmaker, Mirabella is a triple threat.

Currently in her final years of NYU’s Tisch School of the Arts graduate program, Mirabella has kept busy outside of her studies, as her films have made appearances in several film festivals (The Atlanta Film Festival, Picture Farm Film Festival, The Palm Beach International Film Festival, The New Orleans Film Festival, The Montana Film Festival, and more).

Mirabella is also in talks to develop a television show, feature film, and a collection of short films. Check her site out here.


Laramie Dennis

Dennis is a writer and director whose thematic interests in film lie in exploring sex, rock ‘n’ roll, adolescence, social anxiety and family (what a combination!).

She received her MFA at the University of Southern California.

Moving coast to coast, Dennis has moved between artistic fields. In New York, she was a theater director, co-founder, and chair of a theater company. She has also worked in casting for reality TV programming.

Although initially starting out in New York, Dennis is now based in L.A. and working on her animated series, The Golden Rule that is currently in production. Check out more of her work here.


Jenna Cedicci

 

View this post on Instagram

 

This is what Scotland does to me. Shameless selfie by @wardlejessica

A post shared by Jenna C (@jennatrc) on

Cedicci is an international feature film producer and her CV includes developing and producing more than 75 commercials.

Though originally from Chicago, Cedicci moved to L.A to pursue film and was a producer for notable television shows such as Mozart in the Jungle and Good Girl’s Revolt.

This year Cedicci is the producer of the three titles; the documentary Fire on the Hill, a remake of the 1930’s German expressionist film Nosferatu, and an indie feature film titled Daddy Issues.


Suha Araj

Araj is a filmmaker and installation artist.

Araj uses storytelling to explore ideas of identity with a particular focus on the estrangement and displacement of immigrant communities.

In 2013 her short film The Cup Reader screened at the Tribeca Film Festival and in 2016, her short film I Am Palestine made its way through the international film festival circuit.


Maryam Keshavarz

 

View this post on Instagram

 

New project. New haircut.

A post shared by Maryam Keshavarz (@marakeshfilm) on

Another triple threat, Keshavarz occupies the titles of writer, director, and producer. Her short film The Day I Died was awarded both the Gold Teddy and Jury Prize at the Berlin International Film Festival.

Keshavarz has also had major success with her feature filmmaking.

In 2011, Keshavarz’s first feature, Circumstance, that explores forbidden queer love between two Iranian women also won the Sundance Film Festival’s Audience Award.

Her second feature Viper Club made its world premiere at the Toronto International Film Festival and stars Hollywood legend and bad-ass activist Susan Sarandon. The film is set to be released in theaters later in October.


Gabriella Moses

A graduate of New York University’s Tisch School of the Arts, Moses has had success in the film festival circuit with her latest short films Sticky Fingers and Leche.

Moses is dedicated to crafting narratives and films that provide visibility to underrepresented individuals and communities.


Shruti Ganguly

 

View this post on Instagram

 

👀

A post shared by Shruti Rya Ganguly (@shrutirya) on

Based in New York, Shruti Ganguly is a filmmaker who has also worked for a variety of media companies, from MTV, to Conde Nast/Vogue, to being the VP of TV & Video at NYLON, running their video departments.

The films she was a producer on have screened at the Sundance Film Festival, Venice Film Festival, Berlin International Film Festival, Telluride Film Festival, and AFI Fest

She is a co-founder and a partner at Fictionless, a production company for narrative film, documentaries, and TV series. She is currently producing a feature with Keanu Reeves and is developing a TV series with Refinery29.


Jennifer Cho Suhr

Based in Brooklyn, NYC, Jennifer Cho Suhr is a writer and director.

Jennifer earned her MFA in Film from NYU. Her thesis short Out There was awarded the notable Spike Lee Film Production Fund. The film’s script was also included on NYU’s Purple List of outstanding screenplays.

She is currently developing her debut feature, You and Me Both.


Carolyn Mao

Mao is a producer based in Los Angeles.

Her first feature Good Enough made waves at its premiere at the Boston’s International Film Festival.

Mao is collaborating with fellow Through Her Lens filmmaker, Jennifer Cho Suhr on the film You and Me Both.

Get involved: The Yemen famine will kill millions, here’s how to help

For three years, war has raged on in Yemen.

The conflict, however, has taken a turn for the worst as the United Nations has officially declared the brutal war to currently be the world’s worst humanitarian crisis.

With 13 million people at risk of starvation, the U.N has issued a stark warning, declaring that the country is set to experience the world’s worst famine in 100 years.

So how did this happen?

Well, like most conflicts in the Middle East, the cause of conflict is highly vexed and is a conflation of a failed transition of government power, religious fighting and separatism, Western monetary interests, and of course, oil.

The fighting in Yemen is between three groups. The Yemeni government forces are supported by a coalition of nations led by Saudi Arabia and the UAE.

This coalition is fighting against a northern religious Shia rebel group called the Houthi’s who are aligned with the previous president of Yemen and have relentlessly sought to undermine the current reign of President Abbrabbuh Mansur Hadi.

Their efforts have proven successful as President Hadi was forced to flee in response to the Houthi’s military advances that ultimately led them to capture the nation’s capital of San’aa in 2014.

Backed by the nation of Iran, the Houthi’s have since mobilized south in an effort to seize control of the coastal city of Aden, the nation’s second largest city.

The conflict is further complicated by a third Sunni Muslim extremist militant group that is fighting a war against both the Yemeni coalition government and the Houthi rebellion. This third groups aligns itself with Al Qaeda and has had a stronghold in eastern regions of the country.

Though Yemen is a small country, it has attracted the attention of surrounding Middle Eastern nations as well as the West. Located on the edge of the Arab Peninsula, Yemen offers access to the Gulf of Aden; a site of strategic importance as it is crucial for the movement of oil around the world.

The conflict in Yemen is ultimately viewed as a proxy war between the surrounding powers of Saudi Arabia (who back Yemen’s government forces) and Iran (who support the Houthi’s).

Although the U.S and U.K have provided 450 million dollars worth of aid to Yemen, there is nonetheless, an emphatic contradiction in their foreign policy and humanitarian support.

Both Western forces have been profiting off the war by selling arms to Saudi Arabia. In fact, Amnesty International reported that the U.K earned 5 billion dollars through arms sales in funding Saudi Arabia’s war effort. In short, in order to understand the West’s involvement in the conflict, one simply has to follow the money.

One of the many things that is so devastating and disturbing about this conflict is that the strategy for Saudi-led airstrikes has shifted from targeting Houthi’s strongholds to Yemenite civilians.

The bombing has killed over 10 thousand people and the destruction has resulted in the mass displacement of people from their homes; leaving hundreds of thousands destitute and devoid of any basic resources. Yemen is experiencing severe famine…

In sharing a border with Saudi Arabia, a horrific blockade campaign by the Saudi government prevents the distribution of aid to those who desperately need it and has left millions of civilians malnourished.

You can still help however by donating to the organizations below:

UNICEF

OXFAM

Doctors Without Borders

Save the Children

Meet the 19-year-old whose education startup is already worth millions

At the age of 19, imagine having the title of CEO, overseeing 100 staff members and ensuring a top quality educational experience for just over a thousand students. It’s a pretty damn impressive achievement.

Jessica Sun, however, is all too familiar with performing under pressure. In an interview with Forbes, Sun recounted her difficult learning experiences during middle school and high school.

Having trouble focusing and retaining information in class, her learning became belated. She says,

“After sitting through the day I would go home and learn all the material from scratch.”

In struggling to keep up with her peers, Sun began to internalize the issue, setting high standards for herself and concluding that her inability to learn in class was solvable by simply working harder.

It took her to reach college until Sun was given an answer to her learning difficulties. In her first year of college, at Northeastern University, she was diagnosed with adult attention-deficit/hyperactivity disorder, (ADHD).

Sun has applied her past educational experiences to the project of co-founding an education startup, called Lumos Debate. The educational startup offers programs orientated around public speaking and debate.

The program’s activities provide kids from the age of 8-15, the research and writing skills needed to help formulate their own arguments. These skills are not only important skills for effective communication and valuable to develop their own critical thinking.

Crucially, it also aids in instilling confidence in young people to believe in their own ideas and public speaking ability.

With an impressive student to teacher ratio of 6:1, the program provides a highly personalized educational model, offering a level of attention to students, but importantly, a staff that is dedicated to being always receptive to the needs of every student.

Debating activities and games offer students exposure to current issues and events. Plus, the activities provide the necessary framework needed to create and break down an argument. Launching only last year, Lumos Debate has proven to be a major success. According to the Forbes report,

“Lumos ran 15 camps in 2017 and 23 camps in 2018. It will run more than 23 camps in 2019, serving around 1,200 kids with more than 100 instructors and additional staff.”

With Sun’s graduation in 2021, she still has aspirations for Lumos to grow, expressing to Forbes that she wants the curriculum to incorporate business studies, mock trails and a model U.N.

In light of the current political climate, what Sun and her co-founder, Zeph Chang (who now serves as the camps educational director), ultimately want students to take out of Lumos, is to feel comfortable and confident to speak up and share their opinions and to apply their argumentative skills and critical thinking when presented with information and rhetoric that can be so easily absorbed and disseminated around the world.